A Quote by Nadya Suleman

I never wanted this... to be in the public eye. — © Nadya Suleman
I never wanted this... to be in the public eye.
To me the biggest irony of this lifetime that I'm living is that for someone who thrives in the public eye in the creative ways that I do, I actually don't enjoy being in the public eye.
For Sabina, living in truth, lying neither to ourselves nor to others, was possible only away from the public: the moment someone keeps an eye on what we do, we involuntarily make allowances for that eye, and nothing we do is truthful. Having a public, keeping a public in mind, means living in lies.
I can look back at different times in my life when I felt I could not find my way out of whatever it was. I'm not necessarily talking about marriage, but I wanted to pack it in. I wanted to disappear. A lot of that has to do with being in the public eye.
I'm never really conscious of saying, "I'm going to take on a specific role to combat a certain image in the public eye." I think that's pretty manipulative and transparent to the public anyway.
One of the nice things about moving from acting to writing is that your work can be in the public eye without having to be in the public eye yourself. I guess that's not completely true. If you're lucky - and I have been - there are book tours and lectures. I don't have stage fright, and I enjoy meeting people, so that's easy and enjoyable, but it's not a constant, and it's not celebrity.
Manet did not do the expected. He was a pioneer. He followed his individual whim. Told the public what he wanted it to know, not the time worn things the public already knew and thought it wanted to hear again. The public was very much offended.
I never felt terribly comfortable in the public eye.
I think part of my success as an editor came from never worrying about a fact, a cause, an atmosphere. It was me—projecting to the public. That was my job. I think I always had a perfectly clear view of what was possible for the public. Give ‘em what they never knew they wanted.
Everyone makes mistakes, and they never go unnoticed when you're in the public eye.
If you must eat a banana in public, never make eye contact.
I think, whenever you're in the public eye, you're never going to be loved by everybody.
We're just actors, man, just part of things. We're just doing our jobs, like everyone else does their jobs. The adulation for us is much more because we are always in the public eye. But I never became an actor because I wanted people to scream out my name.
I've held a lot of pity parties for myself. There was a time when I never wanted to face the public again. I never wanted to face the press again. But God gave me healing gifts.
After getting recognized in public from my picture on our pretzel bag, I can understand not wanting to be in the public eye. It has given me a public persona I had always avoided as a child. I do it because it's for a good cause.
Formerly, a public man needed a private secretary for a barrier between himself and the public. Nowadays he has a press secretary, to keep him properly in the public eye.
Yeah I grew up in the public eye. I became a man in the public eye, which is kind of a bizarre thing to come to terms with. Now I'm in my late 20s and I was in my early 20s when I became recognizable. But I think 'Moneyball' represents a very strong shift in my career and becoming an adult and a man.
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