A Quote by Nalini Singh
While Dmitri, as the leader of Raphael’s Seven, could not accept such a weakness, the mortal he’d once been, the one who had loved a woman with a wide mouth and eyes of slanted brown . . . that man understood what it was to love so deeply it was a kind of beautiful madness.
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To be beautiful lips - say kind words. To my eyes were beautiful - radiate good. A woman's beauty is not in the clothes, not in its shape or hairstyle. Beauty woman in her eyes, because the eyes - is the gateway to the heart, where love lives.
Ever had a woman say no to you, Dmitri?” “Once.” He turned the corner with a smile that made her want to cup his face, trace those beautiful lips with her own. “I married her.
I have never quite understood the relationship between beauty and weakness, womanly sweetness and womanly silliness; to my mind, indeed, that woman being the most beautiful who is the most capable, while weakness and silliness can never by any chance be other than unlovely.
I started asking friends, my white friends around, I said, "What's something that you think all Asians have in common?" They almost always immediately said, "Slanted eyes." I thought that's really interesting. No. 1, it simply isn't true. Not all Asian Americans have slanted eyes, and of course, Asians aren't the only ethnic identities to have them. No. 2, we could talk about our slant on life and what it's like to be people of color, while at the same time, using this outdated and obscure racial slur, and turning it on its head.
My mother," he said, "has invited us to a ball." Elena pulled a blade from one of the butter-soft forearm sheaths that had been a gift from Raphael. "Excuse me while I stab myself in the eyes-and disembowel myself while I'm at it.
They say you cannot love two people equally at once,” she said. “And perhaps for others that is so. But you and Will—you are not like two ordinary people, two people who might have been jealous of each other, or who would have imagined my love for one of them diminished by my love of the other. You merged your souls when you were both children. I could not have loved Will so much if I had not loved you as well. And I could not love you as I do if I had not loved Will as I did.
That's the true sign. If the lover has not yet achieved his prize, his eyes will follow the woman, while she appears indifferent. But once he's gained his goal, it's the woman's eyes that follow him, while the man seems careless and indifferent.
It was in the spring that Josephine and I had first loved each other, or, at least, had first come into the full knowledge that we loved. I think that we must have loved each other all our lives, and that each succeeding spring was a word in the revelation of that love, not to be understood until, in the fullness of time, the whole sentence was written out in that most beautiful of all beautiful springs.
He rarely smoked, but once in a while, like now, when his world had been shaken, his woman nearly killed in front of his eyes, and he’d watched a house consume a man and spit him out, he figured a drag or two were appropriate.
Do you know where Jason is?” she asked Dmitri when they exited the morgue. Dmitri pressed the car remote to unlock the flame red Ferrari parked in the employees-only lot. “Tired of your Bluebell already?” A tendril of champagne circled around her senses, cut with something far harder. Never had she felt that harsh edge in Dmitri’s scent. She pitied the woman he took to his bed today. “Yeah, that’s it. I’m building a harem.
Women sometimes really love to look at other beautiful women on the screen. But they don't look at a woman the way a man looks at a woman. They want to be that woman. They like if a woman is beautiful or sexy, especially if she's powerful. They like to see her catch a man, or to be powerful in the world. I think this is why a lot of women love noir films and classic films because they can really identify with these really strong, beautiful women. That's the kind of power that women have lost culturally.
The unqualified truth is, that when I loved Estella with the love of a man, I loved her simply because I found her irresistible. Once for all; I knew to my sorrow, often and often, if not always, that I loved her against reason, against promise, against peace, against hope, against happiness, against all discouragement that could be. Once for all; I love her none the less because I knew it, and it had no more influence in restraining me, than if I had devoutly believed her to be human perfection.
Why had I been so afraid? I had not loved enough. I'd been busy, busy, so busy, preparing for life, while life floated by me, quiet and swift as a regatta...I had had all my time, all my chances. I could never do it again, never make it right. I had not loved enough...I had not passed up all my chances to give love or receive it, and I had the future, at least, to try to do better.
I finally knew... why Christ's prayer in the garden could not be granted. He had been seeded and birthed into human flesh. He was one of us. Once He had become mortal, He could not become immortal except by dying. That He prayed the prayer at all showed how human He was. That He knew it could not be granted showed his divinity; that He prayed it anyhow showed His mortality, His mortal love of life that His death made immortal.
In the Renaissance, madness was present everywhere and mingled with every experience by its images or its dangers. During the classical period, madness was shown, but on the other side of bars; if present, it was at a distance, under the eyes of a reason that no longer felt any relation to it and that would not compromise itself by too close a resemblance. Madness had become a thing to look at: no longer a monster inside oneself, but an animal with strange mechanisms, a bestiality from which man had long since been suppressed.
To be mortal is the most basic human experience, and yet man has never been able to accept it, grasp it, and behave accordingly. Man doesn't know how to be mortal. And when he dies, he doesn't even know how to be dead.
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