A Quote by Naomi Campbell
When I wanted to change the concept of what I was doing, I needed to be more public because it involved more people to collaborate. And I'm doing television now. I have to be honest, I was very afraid to do TV. I said no for 10 years.
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I've really dreamed of doing television. All of us do television, coming up. But when I was coming up, television was a black hole for actors. Now, television has a certain cache. Now everybody wants to be on TV because they're doing adult dramas. If you're an actor, it's like, "Well, get me on television," because it's the only place you can do it and also make a living at it. If my kids need shoes, I better do a TV show because I damn sure don't make any money with independent films.
I became more courageous by doing the very things I needed to be courageous for-first, a little, and badly. Then, bit by bit, more and better. Being avidly-sometimes annoy-ingly-curious and persistent about discovering how others were doing what I wanted to do.
I gave up planning when our children were born, when I had three children to feed and a roof to keep over our head and all of that. Early in my career, I said I would never do television at all; then I wound up doing nothing but television for 10 years when I did 'St. Elsewhere' and all those TV movies.
Sergey Brin has said to me, like, 10 times now, 'Why do you bother doing books? Why don't you just put all this stuff on the Internet?' It's because 10 years from now, my book will still be sitting on someone's coffee table or in a waiting room.
Oftentimes, especially during my recovery, I didn't need to think about everything I was doing wrong; instead, I needed to focus more on what I was doing right-and then do more of the right stuff. I needed to live more in the solution.
When I hear about something allegedly happening in the world I always ask: who is doing it? Trends break out because they're based on real demographics, like there being fewer nuclear families or more people living alone. If 10 people in Shoreditch are doing it, it's a 10-minute fad.
When I hear about something allegedly happening in the world I always ask: 'Who is doing it?' Trends break out because they're based on real demographics, like there being fewer nuclear families or more people living alone. If 10 people in Shoreditch are doing it, it's a 10-minute fad.
My criteria for doing a television series never changed. I wanted more stability, I wanted more of a sense of family, I wanted to do light comedy.
I haven't had a TV in 10 years, and I really don't miss it. 'Cause it's always so much more fun to be with people than it ever was to be with a television.
The way that people are watching TV is changing. The landscape of television is changing. Movies are becoming much more insular. They're like a walled garden, where you know what you're going to see and you expect it. But in the world of TV, because it's episodic, you can explore any area because you have time to do that. You can take risks on the kinds of storytelling that you're doing.
When I started as a filmmaker, I never, ever imagined in a million years that I would be doing television because, at that time, TV was a very different medium.
A lot of people are doing television now. Great, legendary actors are doing movies on cable and stuff now, and you can't blame them, because they're still doing adult dramas and adult comedies on those stations.
It was doing very well; it was doing particularly well outside of England. It was a very big seller for Carlton Television. But it was getting more and more expensive to do.
In my early thirties I was working in television as a researcher. I was really stuck for a period of five years. I got to TV when I was thirty. I hated being a music writer, and kept wondering why I couldn't be doing the exciting things that my friends were doing in television.
Most people just half-watch TV. They watch TV while they are doing many other things in the environment of their home. So, what they are doing goes through their ears as much as through their eyes. In television, the narrative and characters are in the foreground of everything, because you are watching TV as you do other stuff.
Coming off 'Sopranos' and 'Mad Men,' I was starting to feel like I was being spoiled creatively. I wanted to move forward as a director in TV and get more involved in the process. After having those two great experiences, doing regular episodic TV wouldn't be quite the thrill.
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