A Quote by Naomi Campbell

I loved watching so many of the great designers I've worked with do what they do. That's why I'm still loyal to the designers that I've known since I was 16. — © Naomi Campbell
I loved watching so many of the great designers I've worked with do what they do. That's why I'm still loyal to the designers that I've known since I was 16.
I cannot draw to save my life, and I'm not a big art scholar, but I worked with many designers throughout my career - in theater, in dance, costume designers, set designers, and I have a lot of artist friends and I do photography, and I think it's kind of in my life.
My computer is a very complex gadget and it was designed by many designers, so why must the universe have only a single designer and not many designers?
I make films but I am trained as a designer. I come from this series of designers called critical designers, speculative designers.
You don't need money to look fabulous. There are so many awesome new designers, so many designers doing collections for mass retailers.
There are many design companies, but there are few designers who organize their own business and open it up to other designers.
Good designers copy; great designers steal.
As designers we have a great responsibility. I believe designers should eliminate the unnecessary. That means eliminating everything that is modish because this kind of thing is only short-lived.
I've been going to Bicester Village since I was young. My mum and dad really loved that place, and I always used to stock up on clothes. I love the fact that it supports great British designers.
I'm a great fan of Bloomingdale's, and I'm a very loyal alumni of Parsons. I think what they do, what they've done, is amazing. They've educated some of the best American designers.
I inherited some Chanel pieces from my mother. I've worn Prada - absolutely. Wonderful designers are inspiring. I also love designers not known. I love a lot of vintage pieces. I am pretty minimal, pretty classic.
I have always appreciated designers who dare to reinterpret fabrics and proportions, so I follow the Japanese and Belgian designers. The pieces are so animated. When they lie still, they are one thing, but once you stand them up or wear them, they become something else.
Over the years, I observed that many talented graphic designers, including those in my own family, had difficulty getting their designs to market. I thought it would be possible to hold open stationery design competitions where all designers could participate.
Set designers, costume designers, actors, writers, music, that's what is beautiful.
There are only a handful of designers that influence other designers, and I have to keep one step ahead of the game.
It's a really exciting thing to collaborate with production designers, cinematographers and gaffers and costume designers and editors and composers.
I've never seen Ralph Lauren, Rick Owens, or Raf Simons described as white designers. They are just designers.
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