A Quote by Natalie Massenet

Print is at the very, very top in the fashion business - of course it is. — © Natalie Massenet
Print is at the very, very top in the fashion business - of course it is.
If we're having a glitzy over-the-top moment, fashion is very glitzy and over-the-top, you know, over-the-top. If we're having a moment where things are, you know, we're in a recession, fashion becomes quiet. So, in terms of popular culture, fashion and especially women's fashion is incredibly interesting, aside from satisfying just a particular need to create and arrange things in a way that one sees as beautiful. And so, in a certain way, it's fulfilling. In another way, it's very fleeting because it doesn't last very long. You know, a beautiful moment in fashion goes away very quickly.
Fashion is not art. Fashion is a business that requires discipline and attention to detail and very organized systems of logistics and operations and processes. But even with the most smoothly oiled machine to manage the business, without creativity, fashion could not exist.
One thing I often talk about in my business is that an eBook is not like a print book: it's very, very different. It's organic. It's changing.
I don't know if I have good habits, but I'm very devoted to writing. I'm very compulsive about having a project, at least one, and trying to follow the business as much as I can. I keep on top of all the entertainment business news.
There are three or four places in the country where people think of fashion: One is L.A., obviously. Another is New York. And I think Atlanta has to be in the top five cities where fashion is very big.
When we first started doing bridal, I found the bridal business very archaic; it was very removed from general fashion.
My mother and my two grandmothers, I was lucky to have three women around me growing up that were very special, very elegant women, very beautiful women. They were my first step into the beauty world, let's say, and then the fashion world, of course.
Print works! It works as a business proposition - our print readers [of the Mother Jones] not only provide revenue in the form of subs and ads, but they are a core part of our donor community; 10 percent give us a donation on top of their subscription; that's about the same rate as NPR gets from its listeners.
I think it's difficult to do fashion for men, because either you become very over-homosexual fashion or very boring fashion. You don't want a boy who looks 15 in a little pair of shorts with some strange art... But to see just a jacket and tie is boring.
While the fashion in Paris is very chic and classy, the fashion in Hong Kong is very hip, young and colorful.
Fashion is very quick. It's very disposable. It's immediately - it tells you exactly where we are in our culture, especially women's fashion.
It really is the very top of the fashion world; nothing comes above haute couture. But not any old designer can create something magical and call it haute couture; the term is strictly protected for a very special few.
Fashion week is very inspiring, and you can't look at things one dimensionally. And I think that everyone who works in this industry has a very three-dimensional view of what fashion is and what art is.
Show me any top entertainer or top business executive, and I'll show you a guy who has mapped out his life from the very start.
Print is still responsible for a significant portion of the revenues that, you know, pay for the work of the newsroom. But, you know, digital is very important. And part of the thrill of having this job now is I get to lead us through what is both a thrilling and very challenging transition from a print world to a digital world.
For the players, these top, top, top games or these top, top, top events - like a World Cup or a European Championship - are not common but, of course, something special.
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