A Quote by Natalie Prass
I get kind of nervous in crowds, so a musical festival would never be something I would go to, unless I was playing.
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I was not a band geek, per say. But me and my two older sisters played instruments, so I would come home and my sister Dana would be playing the clarinet or playing the piano, and I would play the saxophone, my other sister would be singing, my mom would be singing. I was not afraid to be musical. That was not something that I thought was uncool.
When I read something, I want to be surprised. So I read something and go, "Wow, I never, ever would have thought of playing this kind of role. This is exciting me, let's go do this."
I've never been nervous. I just wanted to play and have a good time. If it didn't work, then I would get nervous. But, for the most part, I just go for it.
I think it would be so fun to do some kind of comedy, something - I'm not exactly sure, but something like I just did Moliere's "Tartuffe" in class, and wow, what a stretch. Why go to classes? I get to play in Moliere's "Tartuffe," and I could never - nobody would ever think that they would be, I'd be right for that.
I would like to get out to the region in the Caspian sea. I would like to go there. I would like to get to Darfur. I would like to get to Khartoum in Northern Sudan. I would like to get to Zimbabwe. I would like to go back to North Korea, if I could. I would like to go to Yemen. I would like to get to Kashmir. Most of those destinations I will get to.
A dream role is a role that you can't even picture for yourself. Everything I've ever played I never pictured I would get a chance to play. It [has] gone beyond my wildest dreams. One thing I would love to do in my lifetime is a movie musical. I've wanted to do that since I was a kid. That's what made me interested in acting in the first place. I would do any type of musical, but I love the Harlem Renaissance era. I think a dream role in something that I probably can't see and I don't know when it's going to come.
We wanted to show people what it was like in one of those neighbourhoods that they would never have access to, in bars that they would be too scared to go into, and a world that they would never get to see. All of that is something really unusual and rare and kind of fascinating. And the only way to do that and to make it really worthwhile was that it had to be authentic. We dedicated a lot of time and energy to making that right and real. So we found basically the worst locations that we could.
If Bernie Sanders was the nominee, wherever he went, the crowds would be big and you'd be scared to death of them. You would be worried sick. There'd be so much energy, and those people would be running around and they'd be doing nothing but working for, campaigning for, marching for, protesting for Bernie Sanders. None of that is ever gonna happen happen with Hillary Clinton, unless they pay for it, unless they buy it.
Were not a festival band, playing during the day was something we had to get over, I was like uhh this sun stuff kind of sucks
I would love to do a musical. I would love that. I would have to find the right book, the right story, but some day I'm going to make one. I would really like to go off and direct a musical. That's what I would really like to do when I grow up.
I really enjoy playing for hours and hours. DJ sets where you turn up over an hour and you're on a festival stage, people basically expect much more pounding than I ever would play. I just feel like a fish out of water when I do those. They want something really kind of aggressive; that's not really the kind of music that I'm into.
Learning was never structured for me. I started playing when I was two. I would go to the gym with my dad who played regularly. I 'd get on the court and play when he would go for a drink of water or something. When I was four they shaved down the grip on a racquet so I could hold it. I can't even tell you why I loved being on the court, I just knew I enjoyed it. It was always about sports for me.
It doesn't sound that cool to say it, but I still get nervous for any show. But it's different degrees - playing a small basement of a club versus playing a festival like Firefly or Bonnaroo. The feeling is, 'Crap, I'm about to be blasted in the face,' and once you get started, then it's like, 'OK, I've done this before. I know what I'm doing.'
[I would] just stick to the festival as much as possible. Because it's about the music for me, really. [I don't come] all the way here to go to trendy parties. There are some people who come here to go to parties. [The exception is when] it's an after-party and the festival has closed. Festivals are kind of magical places, and you need to soak as much of that up as possible.
When I was in the UFC, I would get tickets for a fight, and then what I would do is go in the crowds and watch the rest of the fights. A lot of times, I would end up taking pictures and signing people's books. I didn't care if I got any money or anything. I was just there enjoying my time and watching the fights.
I never imagined that Hamilton would be turned into a musical, much less a hip-hop musical. I think I can safely say that that's the last thing I would have expected.
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