A Quote by Nathalie Emmanuel

Once a script is released that doesn't mean it's the final product. It's not set in stone. — © Nathalie Emmanuel
Once a script is released that doesn't mean it's the final product. It's not set in stone.
When I first read the script to 'Black Hawk Down,' I didn't think it was the greatest thing in the world - far from it. But I thought the script at least raised some very important questions that are missing from the final product.
No product is an island. A product is more than the product. It is a cohesive, integrated set of experiences. Think through all of the stages of a product or service - from initial intentions through final reflections, from first usage to help, service, and maintenance. Make them all work together seamlessly. That's systems thinking.
First, you need to write the script, re-work on lots of things. First draft, second draft, once the final script is ready then you visualize which actors fits the role in that the particular script they've written.
A movie is very different when you're writing the script and you're building a story compared to what the final product is.
Any good movie or script usually, if they're doing their job, gives the highest platform possible for an actor to leap off of, and that script was very high up there. It was a very smart, tight script. There was a lot of improv, as well, once we got to the set, but a lot of the original script was also in there.
Once you walk off the set, if you're an actor, the rest isn't your responsibility, which I like a lot. I'm not responsible for the final product, which is why it's always a pleasure when you see it's in the hands of the people afterwards putting it together.
I feel nervous when the script is set in stone, and I feel nervous when I feel the script is written for mass consumption because I don't see myself that way.
The script of a play is not a finished product: It's a set of instructions.
Yes, it's rather funny, really, that next to no-one realized the snake that Harry set free in Philosopher's Stone turned out to be Voldemort's final Horcrux, Nagini.
The final product in a play is not just the written word. It's the production, the performance. The script is, of course, a very important piece; but it's only one element. Ultimately, yours is one of several voices. People can change your work in a play for better or worse.
The EPA code needs to set forth a clear, regular, and rational system of penalties for violations of its code, with the amount of the penalty set in proportion to the amount of pollutant released by a given defendant, and no penalties imposed in the absence of any pollutant released.
Just because a product says 'As Seen on TV' and looks like my product doesn't mean it performs like my product or will sell like my product.
Every major summer blockbuster that is released is essentially a product line being launched across multiple verticals. However, the centerpiece of the product launch is a big, beautiful story whose job is to entertain.
To be a good director, you have to spend a lot of time on actual sets, but today, there's a lot of people who spend a lot of time in dark rooms writing a script, and they'll go in and tell the story to some suit at a studio who says, 'Okay, this is great, let's go.' But that doesn't necessarily mean you know what to do once you're on set.
I love TV, don't get me wrong. But with film, you're just banging out this one product and you're not waiting on another script. You have your script. It's great, in that way.
There is no liberty except the liberty of some one making his way towards something. Such a man can be set free if you will teach him the meaning of thirst, and how to trace a path to a well. Only then will he embark upon a course of action that will not be without significance. You could not liberate a stone if there were no law of gravity - for where will the stone go, once it is quarried?
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