A Quote by Nathan Goldstein
The inherent lightness or darkness of a form - its local-tone - is a given quality of all forms. It is affected by, but separate from, the light and dark areas that result from light falling on forms.
Related Quotes
Architecture is the masterly, correct and magnificent play of masses brought together in light. Our eyes are made to see forms in light; light and shade reveal these forms; cubes, cones, spheres, cylinders or pyramids are the great primary forms which light reveals to advantage; the image of these is distinct and tangible within us without ambiguity. It is for this reason that these are beautiful forms, the most beautiful forms. Everybody is agreed to that, the child, the savage and the metaphysician.
Architecture is the masterly, correct, and magnificent play of masses brought together in light. Our eyes are made to see forms in light: light and shade reveal these forms.
And I saw darkness for weeks. It never dawned on me that I could come out of it, but you heal. Nature heals you, and you do come out of it. All of a sudden I saw a crack of light ... then all of a sudden I saw another crack of light. Then I saw forms in the light. And I recognized that there was no darkness, that in darkness there'll always be light.
Once again you are wrong sir, darkness does not exist either. Darkness is in reality the absence of light. Light we can study, but not darkness. In fact we can use Newton's prism to break white light into many colors and study the various wavelengths of each color. You cannot measure darkness. A simple ray of light can break into a world of darkness and illuminate it. How can you know how dark a certain space is? You measure the amount of light present. Isn't this correct? Darkness is a term used by man to describe what happens when there is no light present.
Light seeking light doth light of light beguile: So, ere you find where light in darkness lies, Your light grows dark by losing of your eyes.
What quality is shared by all objects that provoke our aesthetic emotions? Only one answer seems possible— significant form. In each, lines and colors combined in a particular way; certain forms and relations of forms, stir our aesthetic emotions. These relations and combinations of lines and colors, these aesthetically moving forms, I call ‘Significant Form’; and ‘Significant Form’ is the one quality common to all works of visual art.
Do not see the world as dark, see it as light. When you find darkness bring the light into it. The way to remove darkness is to shine light on it.
Suddenly there was a great burst of light through the Darkness. The light spread out and where it touched the Darkness the Darkness disappeared. The light spread until the patch of Dark Thing had vanished, and there was only a gentle shining, and through the shining came the stars, clear and pure.
My picture [A Boat Passing a Lock, 1823-6] is liked at the [Royal] Academy, indeed it forms a decided feature and its light can not be put out. Because it is the light of nature - the Mother of all that is valuable in poetry - painting or anything else... my execution annoys most of them and all the scholastic ones - perhaps the scarifies I make for 'lightness' and 'brightness' is too much but these things are the essence of Landscape.
Not all teachers utilize both forms of light.In certain circles, those teachers who can manifest the light of samadhi but not the mystical light have put down the mystical light.
Love is a weapon of Light, and it has the power to eradicate all forms of darkness. That is the key. When we offer love even to our enemies, we destroy their darkness and hatred.
Light is shallow; darkness is infinitely deep. Light is always bounded, it has boundaries. Darkness has no boundaries, it is unbounded. Light comes and goes; darkness always is. When there is light you cannot see it. When light is not there you can see it. But it is always there; you cannot cause it. Light has a cause. You burn the fire, you put on wood. When the wood is finished the light will be gone. It is caused, hence it is an effect. But darkness is not caused by anything, it is not an effect. It is uncaused eternity.
The [peppered-moth] experiments show the effects of predation on the survival of the dark and of the normal forms of the Peppered Moth in a clean environment and in one polluted by smoke. The experiments beautifully demonstrate natural selection--or survival of the fittest--in action, but they do not show evolution in progress, for however the population may alter in their content of light, intermediate or dark forms, all the moths remain from beginning to end Biston Betularia.
"It is light that reveals, light that obscures, light that communicates. It is light I "listen" to. The light late in the day has a distinct quality, as it fades toward the darkness of evening. After sunset there is a gentle leaving of the light, the air begins to still, and a quiet descends. I see magic in the quiet light of dusk. I feel quiet, yet intense energy in the natural elements of our habitat. A sense of magic prevails. A sense of mystery. It is a time for contemplation, for listening - a time for making photographs. "
In each experience of my life, I have had to step out of one little space of the known light, into a large area of darkness. I had to stand awhile in the darkness, and then gradually God has given me light. But not to linger in. For as soon as that light has felt familiar, then the call has always come to step out ahead again into new darkness.
It's critical that we use a very dark brush to paint evil. When you bring the light into that darkness as characterized in John 1, that light is very vivid. When it dispels the darkness, we see the brilliance that's there.
