A Quote by Navya Nair
I accept offers only when people approach me with a good script, and all those experiences have been great.
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A script is just a script. A good script can be a bad movie, so easily. It's the process that makes it good. You need a good script, don't get me wrong, but you need all those other things to make a good movie. You really do.
The script for 'Infamous' was so poised between tragedy and comedy. It's a dream part. One reads those scripts with a sense of melancholia. When you read a script that good... I remember thinking, 'Oh, this script is too good. They'll never give it to me.'
The script for 'Infamous' was so poised between tragedy and comedy. It's a dream part. One reads those scripts with a sense of melancholia. When you read a script that good I remember thinking, 'Oh, this script is too good. They'll never give it to me.'
Without those experiences in higher education I wouldn't have been able to do this job. It taught me a more holistic approach and prepared me for the experience of working abroad, where your cultural beliefs are challenged and, sometimes, turned on their head.
Acting in particular is a fun job when you have a good script. I don't know about acting when you don't have a great script. I'm gonna say that's not a great job, it's kind of a dumb job. But when you have a good part in a good script, it's the best job, in a way.
We see only the script and not the paper on which the script is written. The paper is there, whether the script is on it or not. To those who look upon the script as real, you have to say that it is unreal - an illusion - since it rests upon the paper. The wise person looks upon both paper and script as one.
writers are makers, not just transmitters, of myths. Literature offers not only myths but counter-myths, just as life offers counter-experiences - experiences that confound what you thought you thought, or felt, or believed.
I believe that a good comic script can succeed despite being drawn badly, but that a bad script can't be saved by good art. Of course, great writing and great illustration makes for a great comic 100 percent of the time.
There's innocence in a young mind, say 18 or 21, writing a script. But we have to acknowledge that they have to open up to life's experiences to be able to add those layers of depth into the script.
China is a great nation that offers the world a great culture, so many good things. I love the Chinese people and I hope there is the possibility of having good relations. We're in contact, we talk, we are moving forward but for me, to have as a friend a great country like China, which has so much culture and has so much opportunity to do good, would be a joy.
I don't care about names attached to the script. That doesn't matter to me. All things being equal, I would like to work with a good script with a good director, and the part I play is of less important than those two factors.
The case is this: God offers you one of the greatest mercies on this side of heaven and commands you to accept it. Why do you not accept this mercy in obedience to His command.... God offers you a pardon for all your sins.
It's easy to go somewhere where everything already is set up and they've been to the playoffs four, five years in a row. I've been on those teams. Those are great experiences.
I have been shaped by the experiences of the people who are closest to me, by the things I've learned from [my wife] Martha, by my hopes and my concerns for my children, Philip and Laura, by the experiences of members of my family, who are getting older, by my sister's experiences as a trial lawyer in a profession that has traditionally been dominated by men.
The way I pick movies is, first, if the script is any good. Then, if the script is good, who else is in it, the director, the producer, all that. If you have all that, there's a chance the movie will be great. If the script isn't right, or the director or cast isn't right, you've got no shot in hell.
I accept the proposition that...“to judge is an exercise of power” and because...“there is no objective stance but only a series of perspectives – no neutrality, no escape from choice in judging,” I further accept that our experiences as women and people of color affect our decisions.
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