A Quote by Negash Ali
The thing with me is, I'm from a rap background so I'm not really a traditional singer in that sense.
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Actually the royal family were very gracious and good to me. But I also found that the British establishment were never quite sure what to make of me. I was a Labour figure, but I'd come from a very middle-class background. In one sense I offended both traditional right and traditional left. But I thought that was no bad thing.
I have this thing. I can rap really fast. I can rap really, really fast. It's a thing I'm good at and I've trained myself to do; it's a thing I do in the Bay Area.
For sure I think the traditional martial arts is a good background to have and definitely allows me to do a lot different things inside the cage. My wrestling background definitely helps me out a lot, but I don't think either one led directly to MMA.
I did record a bunch of stuff, but the thing that usually stops me from doing that is that I'm a terrible singer. I made a bunch of instrumental music, and it feels really good, but just as a singer, I'm not good.
When people ask me, 'Are you a singer?' I say, 'No, I'm not a 'singer' - but I love the craft of singing,' going in and finding out what that means or why the hell I'm singing in the first place. My thing is really the craft of it.
I don't think rap really fits in to 'American Idol' in the sense that I believe rap is an art form in itself more akin to poetry, more akin to drama, if you will.
I came from this very traditional background and I benefited hugely from feminism. I felt privileged going to university and doing a PhD. Most people of my background don't get to do that.
I've never been a rap guy, I don't really know that much about rap music, to be honest. I like it, but I think what really happened was just my music seems to work so well with rap music.
I'm a romantic, but I'm not a romantic in the traditional sense. I like to romanticize what happens to me. Whatever happens to me - you could quantify it as good or bad - I romanticize it. I think along the lines of 'When that thing happened, it made me who I am.' That kind of thing. It's a different way of being romantic.
I feel like, O.K., if I can make it as a singer, then let me try rapping. If I can make it as a rapper, then let me try writing. All right? If I make it as a rap singer and writer, then why not try to produce? I don't feel limited in any way.
I grew up listening to everything. I was in rock n' roll bands and punk bands, and I loved bluegrass and country music, too. Then, when I moved to Nashville, I put out a very traditional country record because that's just what you do. I had a bunch of very traditional country songs. Next thing you know, you're a country singer.
I'm really a singer, so I love songs and I love singing. I like rap music, but I didn't grow up freestyling.
I wondered how people would take me being a country music singer. I thought about deviating from that and singing other things. But... it doesn't really make sense for me to try to be something that I'm not.
I don't play the traditional Charlie Parker songs. But I do improvise and I do create with my instrument, and that to me is jazz. But there are people who use the word 'jazz' only in a traditional sense, and they would be offended by that, and that's fine.
When people say to me, 'What do you think of rap music?', my answer is, 'There's no such thing. There's rap, and there's music.'
When people say to me 'what do you think of rap music?' my answer is there's no such thing. There's rap and there's music.
