A Quote by Neil deGrasse Tyson

I'm constantly claimed by atheists. I find this intriguing. In fact, on my Wiki page - I didn't create the Wiki page, others did, and I'm flattered that people cared enough about my life to assemble it - and it said, 'Neil deGrasse is an atheist.'
I never became a producer to go to parties or wear nice clothes or put sales figures on my Wiki page.
I can tell you about the universe, but she feels it; and when you feel the universe, it has a whole other meaning to you. Otherwise, you just put a Wiki page on camera. You can learn something, but it won't mean anything to you later on.
A lot of productivity is capturing ideas. I use a wiki - it's more valuable than e-mail for running a company - and I have a page for every person with whom I interact frequently.
The enemy is not the badly written page; it is the empty page the great advantage of a badly written page is that it can be rewritten. It can be improved. A blank page is zero. In fact, it’s worse than zero, because it represents territory you’re afraid, unwilling, or too lazy to explore. Avoid exploring this territory long enough, and you’ll abandon your book.
The art of fiction is one of constant seduction. You must persuade the reader on page 1 to start reading - on page 50, or page 150 and yes, on page 850.
You are wrong if you think that you can in any way take the vision and tame it to the page. The page is jealous and tyrannical; the page is made of time and matter; the page always wins.
You know, what is team chemistry? My opinion is when you have enough people who care about winning and enough people who losing affects. That's what chemistry means to me. It doesn't necessarily mean you're going to win, but you're going to have enough people on the same page. It's almost impossible, I think, to get everyone on the same page, but it's gotta mean something to you.
I've never cared for guns. In fact, when I did 'Scent of a Woman' I had to learn how to assemble one.
My writing just kind of exists out there in the air-it's all sort of intended as spoken, or sung, word. So, to commit them to the page...that way was kind of intimidating to me, yet intriguing, to try to reflect the rhythms and connotations and emotions that you can deliver, speaking-wise, on a page.
Yes, the fear of its blankness. At the same time, I kind of loved it. Mallarmé was trying to make the page a blank page. But if you're going to make the page a blank page, it's not just the absence of something, it has to become something else. It has to be material, it has to be this thing. I wanted to turn a page into a thing.
So many people want to live their lives and their dreams through their own Facebook page or their Twitter page. They want to show every detail of their life to everyone in the world. That scares me because I don't have any Facebook page or Twitter I don't like it, I don't want it.
I used to say Page Joseph Falkinburg - which is my given name - when Page Joseph Falkinburg stopped trying to be this over-the-top professional wrestler, Diamond Dallas Page, and Diamond Dallas Page became Page Joseph Falkinburg, that's when my career took off.
The definition of a page-turner really aught to be that this page is so good, you can't bear to leave it behind, but then the next page is there and it might be just as amazing as this one.
Why have a locked wiki when you can instead just post static Web pages?
It's hard to find scripts that know what they are from page one to page 115.
No one reads to hear someone complain about the weather or how poorly their children are behaving. You have to give the readers a reason to turn the page. As a writer you have to invite someone to turn the page. And that is a skill you have to refine. That is why you have to read. You have to read to learn what it is that makes people turn the page.
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