A Quote by Neil Gaiman

The real world has no obligation to be convincing, so it throws up some very weird moments sometimes. — © Neil Gaiman
The real world has no obligation to be convincing, so it throws up some very weird moments sometimes.
Rule one of reading other people's stories is that whenever you say 'well that's not convincing' the author tells you that's the bit that wasn't made up. This is because real life is under no obligation to be convincing.
There are moments that I`ve had some real brilliance, you know. But I think they are moments. And sometimes, in a career, moments are enough.
The most dangerous thing, when you have a serious mental illness, is convincing yourself that you don't have it. And you see it all the time. People get on medication, and they feel better, and they stop taking it. And some flirt with unreality on some levels. But it feels so convincing to them that it feels real.
I just feel very often like a child in an absolutely weird world. I think that life is quite weird sometimes.
Sometimes I feel weird about time. Sometimes I feel that it doesn't go in the order we perceive it. There are... repetitions that maybe we decide not to notice because it is simpler. I like to pick up on those moments.
Sometimes I feel weird about time. Sometimes I feel that it doesnt go in the order we perceive it. There are... repetitions that maybe we decide not to notice because it is simpler. I like to pick up on those moments.
We love super-silly moments, funny moments, serious moments, weird moments.
You get to have some bigger comedic moments with some very real dramatic stuff. All that in one makes for a fulfilling artistic job.
There are some days I feel fat. I'm not convinced there's going to be a moment where every woman in the world wakes up and feels like a million dollars. So, what I want to do is give women the tools that will help when those moments come up. Sometimes it can be as easy as telling yourself that you are beautiful.
I simply want to take a break and catch my breath. But I also think that, sometimes, the bravest thing you can do is to deliberately keep some time free and see what the world throws at you.
Sometimes people will ask a real "Why are you beating your wife?" question where there's some assumption built into it, and all you're trying to do is kind of re-contextualize it with some element of truth, and it comes across as incredibly defensive, or just really weird.
The greatest trick the rich - and their cheerleaders on the right - ever pulled was convincing the world that class didn't exist. Out here in the real world, it is more real and more rigid than it has been for a century.
The real you is still a little child who never grew up. Sometimes that little child comes out when you are having fun or playing, when you feel happy, when you are painting, or writing poetry, or playing the piano, or expressing yourself in some way. These are the happiest moments of your life - when the real you comes out, when you don't care about the past and you don't worry about the future. You are childlike.
And we'd had this stupid scene on the street, and even that was kind of cool, because sometimes it's moments like that, real complicated moments, absorbing moments, that make you realize that even hard times have things in them that make you feel alive.
'I, Malvolio' is a very, very funny show, a clown show, but there is Beckettian darkness in the character. Some real darkness, some right close to the edge of despair moments.
I don't like real places, but I don't like imagined ones either. I feel like I'm looking for some mixture and it's very hard for me to say because I like to use real place names because there's an uncanny feeling to them, but at the same time I don't ever really try to make them plausible. Sometimes I like to use them as a way to hide in plain sight a little bit, because to me a very exotic or imagined setting has a lot of weight and a lot of burden to it, and it doesn't suit me, but a real place seems to have its own weird legacy, so I don't know what the choice is?
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