A Quote by Neil Gaiman
It always felt like the price of being a writer was that you would - even in the most terrible moments, there was a little phantom version of you sitting on your shoulder with a notebook going, I can use this. OK, look at the way that the light is glinting off the broken plastic on the road next to the blood. You can use this. And it was always a very strange feeling.
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You have to be realistic in the use of blood in the movies. There is a little bit more than a gallon in a human being. If you have a few thousand people, that makes a lot of blood. I'm very realistic in my use of blood.
I think I have femininity, I have masculinity, but I get to use all of Jeffrey, and that's very powerful. And this is what I always thought when I went down in my little basement in San Francisco, where I grew up, and daydreamed about being an actor: It felt like this. This is what it felt like.
I lost my phone and I just really didn't look for it. It was the nicest feeling, like six weeks. ... A couple of times I needed to use a telephone, and I was always able to touch someone that had a telephone and say, "Hey, can I use your phone? May I please?" And they'd say, "Sure." And that was it! So it was OK, it was a real vacation. I took a real vacation from myself.
In my stand-up, I've always been loose. If there's a curtain onstage, I'll use that in my act. If there's a door, I'll use the door. I always like to use everything at my disposal, which makes each show a little different and a little more fun.
You have to communicate on a much greater scale. With a camera, you can use the flick of an eye. On stage, a lot of other things are happening that can pull focus or energy. You're always thinking the same way, but you have to amplify your thoughts with the volume of your speech and the ways you use your whole body to communicate what you're feeling. It's a little bit different from film.
I don't even subscribe to writer's block being a truthful thing. I've had writer's laziness quite often. But I think it's all about sitting down and facing down the blank page and doing it, and I've always been ok at that.
I have a PC because I don't know how to use a Mac. Actors always have Macs with them, and when I try to use someone else's, I can't get the hang of it. It's very strange; I don't like it.
I've always known that I was a gifted person. ... I've always felt like I would be punished, severely, if I didn't continue to make use of that gift. It's very important that you don't let the muscle get flabby. It's really hard, as an old human being, to press as much weight as you pressed when you were a kid.
On a professional side, you've got a tough problem to fix, Geoff Miller's going to do it, and he's always going to do it to very high standards, and he's always going to be on the side of right. He's always talking about 'what right looks like' - just a phrase he would always use.
As always, the blessed relief of starting, a feeling that was like falling into a hole filled with bright light. As always, the glum knowledge that he would not write as well as he wanted to write. As always the terror of not being able to finish, of accelerating into a brick wall. As always, the marvelous joyful nervy feeling of journey begun.
The blues, the way it's interpreted, is always a product of your environment, and so it's almost like food. You know, it's like you use the ingredients, and you use your life experiences that you have.
I always like when you start to use something with a little less reverence. You start to use it a little carelessly, and with a little less thought, because then, I think, you're using it very naturally.
I was a big fan of a writer named Jack Vance, a science fiction writer. He always wrote about these guys who were either going down a river in a strange world or would be in this one land where people acted really strange, and he'd have these interactions with them that were strange - he'd usually get run out of town or something. Then he'd end up in the next town over where the rules were totally different. And I love this stuff.
I ask the question all the time of people that are on the anti-gun side. And I say, OK, if you're in a situation like the tragedy and the murderous rage in San Bernardino and you're in a room like that, would you want somebody that knew how to use a firearm and had one with them, or if somebody breaks into your house, what are you going to do if they are armed and you are not? And there's not a good answer. There's no good answer except you're a sitting duck for the most part if you're not armed.
It's a very strange experience being on set of 'Breaking Bad;' you never know what's coming next for your character. I feel like I don't even know if I'm going to live through the next scene I'm in. It's exciting to work on.
Unless you turn out to be a shining and ballistic genius, then, trust me, if you want to do this then you're going to be spending the next few years doing little else. This is a thing you do at a table with a notebook and a keyboard, and there's no getting away from it. Put in the hours. You don't get to turn off 'being a writer.'
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