A Quote by Neil LaBute
I felt, if I'm going to take on some of the most overdone material, which is men and women and affairs and betrayal of friends, I had better have a new take on it. I think my films come from a desperation not to be boring.
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There are some films that you know will do well. Then there are others which have good stories that ought to be told. But because they are slightly risky, not everybody is willing to take that up. But I think it is important to take risks because at the end of the day, you want to explore new genres and new characters.
Most men lead lives of quiet desperation. I can't take quiet desperation!
The only advice I can give those who want to sell thei films is to surround yourself with people who are friends and people who believe in you and your material and who are going to help you take it to the next level. It doesn't mean you don't listen to criticism but you listen to it and edit it and you figure out what you can take.
Some films really do take years to get going, but I'd say that most of the films I want to do are slightly smaller projects. Some could be sketches. They're not all oil paintings.
Women are brought up to believe you are going to be the better parent and you know what's best. I don't think that's necessarily true. As much as we have to ask men to step it up, we have to take a look at ourselves and be willing to give up some of that parental power.
A man fishes for two reasons: he’s either sport fishing or fishing to eat, which means he’s either going to try to catch the biggest fish he can, take a picture of it, admire it with his buddies and toss it back to sea, or he’s going to take that fish on home, scale it, fillet it, toss it in some cornmeal, fry it up, and put it on his plate. This, I think, is a great analogy for how men seek out women.
Generally women are better than men -- they have more character. I prefer men for some things, obviously, but women have a greater sense of honor and are more willing to take a chance with their lives.
Performance is made in the editing room, and I've come to see the truth in that - the idea that they say performances are usually made in the editing room because what you film is the raw material. I think just going through the process of saying, "Which take do we use? Why is that the take we want? I want that take can you edit again, I'm not sure that's the one, I think it's this one." And just because you go through that process, I think somehow it's made me sort of more open about the [actor's] possibilities.
You can't take momentum and how you played from a win and think you just carry it over to the next game, and you can't take a loss and how you felt after and think that you can just transfer that and that's going to help you play better.
Women say . . . that if men had to have babies there would soon be no babies in the world. . . . I have sometimes wished that some clever man would actually have a baby in some new labor-saving way; then all men could take it up, and one of the oldest taunts in the world would be stilled forever.
Ruthven surmised that he had hit upon some of the central deceptions which had wrecked him and reduced him and so many of his colleagues to this condition. To surmise was not to conquer, of course; he was as helpless as ever but there was a dim liberation in seeing how he had been lied to, and he felt that at least he could take one thing from the terrible years through which he had come: he was free of self-delusion.
I've always had mixed feelings. I don't know if it's any better or worse. I do think there's a really boring side of what's going on now - the over-repetitive, oversexualized thing. There's a lot of women that know better, that are really beautiful and sexy, but it's like: We know you can shake your ass in a G-string and wave it around, it's not that risque. It's not dangerous. It's very obvious and boring.
I think that the word 'ambitious' is still used in a derogatory way when it comes to women, in a way that it's not when it comes to men. It's a generalisation because not everyone is like this, but I think there's almost a love-hate relationship going on with successful women, where you can be a little bit successful and you'll be celebrated, but don't become too successful because that seems to bring out the hate in some cases. Take one glance at social media and you can see that successful women don't seem to be treated with the same respect as successful men.
Some men don't want their women to speak up, and then other men are attracted to that very thing. But as a woman, you don't want to be just window dressing. I've probably been unattractive to some men because I do say what I feel and what I think. You can be political about it, but I don't have a red flag. I don't have a mechanism in my head that prevents me from saying what I think, or if something upsets me or if I feel like I'm being degraded. I come from a family of very outspoken women. I can't imagine living in a time when you couldn't express what you felt.
I think most films are too predictable. They follow familiar patterns. I suppose audiences like to know where they stand but I like films that take me by surprise, take unexpected turns and twists.
I think we have to acknowledge that people are different and succeed at different things, first of all. Men are better than women at some professions like firefighting, construction work, and physics. But women are better than men at some professions, too, like elementary teaching, prostitution, and giving birth. Who's to say which is more important?
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