A Quote by Neil LaBute
Everyone has a story.
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Everyone is introduced to the Peter Pan story when they're very young. This story is part of everyone's life.
Imagine that the world is made out of love. Now imagine that it isn’t. Imagine a story where everything goes wrong, where everyone has their back against the wall, where everyone is in pain and acting selfishly because if they don’t, they’ll die. Imagine a story, not of good against evil, but of need against need against need, where everyone is at cross-purposes and everyone is to blame.
It's like everyone tells a story about themselves inside their own head. Always. All the time. That story makes you what you are. We build ourselves out of that story.
You need to keep everyone wanting more. Every character has so much depth, and there was so much thought that went into it, but it would've taken away at some point from the main story, and everything I think kind of was woven together really beautifully, so that you cared about everyone, and everyone had their own story, but everything helped the main plotline.
Everyone has something that scares them. Everyone must make a choice at some point whether to be brave. Everyone has a story.
It occurred to me that there was a story behind the scar -- maybe not as dramatic as the story of my wrists, but a story nonetheless -- and the fact that everyone had a story behind some mark on their inside or outside suddenly exhausted me, the gravity of all those untold pasts.
I mean, I think everyone at this level has a chip on their shoulder. Everyone's got a story. Everyone has had to go through some adversity to get to where they are at so, I guess, we all do.
It's not just that everyone has a story. It's that everyone has a thousand stories. Everyone is infinite.
This world is not one color or culture. Everybody has a story. To tell that story or see that story reflected through art is extremely valuable to the community. The arts belong to everyone and our work should reflect that diversity.
I think when we get to a place that this is not the story, that everyone's story is a part of the story, then we can say this has changed. Until then, these are steps to change if they're consistent.
A good story isn't the one that shuts everyone down and sort of leaves them in silent awe. A good story is one that, even before you finish the anecdote, you can see their eyes shining because it has so resonated with something from their own lives that everyone in the group has a version of the same story and they cannot wait to tell it, and that they're going to compete to make their version even more extreme than your version. So your version is just a seed.
Everyone is treating it like a Hollywood story. In Madison, it's a neighborhood story.
Script wise, the story of 'Eega' is universal. It's a simple story which everyone can understand.
The Prodigal Son story is, I think, the greatest short-story ever written. It has such drama in it, such great characters, it's so clear and concise, and it's entertaining in the sense that everyone can relate to it. But you have no doubt what our Lord was trying to communicate in the heart of that story. So the truth was not sacrificed on the altar of entertainment in that case. And it can be.
For the Supreme Court, the right for everyone to say 'I do' is where the story ends, but for artists, it's where the story just starts to get interesting.
This is one of the reasons I'm so interested in stories. Because everyone has a story in their life, and when their story doesn't make sense, that's when we get depressed, I think.
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