A Quote by Neil MacGregor

For a million years the sound of making handaxes provided the percussion of everyday life. Anyone choosing a hundred objects to tell a history of the world would have to include a handaxe.
Annihilation has no terrors for me, because I have already tried it before I was born -a hundred million years -and I have suffered more in an hour, in this life, than I remember to have suffered in the whole hundred million years put together. There was a peace, a serenity, an absence of all sense of responsibility, an absence of worry, an absence of care, grief, perplexity; and the presence of a deep content and unbroken satisfaction in that hundred million years of holiday which I look back upon with a tender longing and with a grateful desire to resume, when the opportunity comes.
Annihilation has no terrors for me, because I have already tried it before I was born --a hundred million years --and I have suffered more in an hour, in this life, than I remember to have suffered in the whole hundred million years put together.
Zalasiewicz is convinced that even a moderately competent stratigrapher will, at the distance of a hundred million years or so, be able to tell that something extraordinary happened at the moment in time that counts for us as today. This is the case even though a hundred million years from now, all that we consider to be the great works of man—the sculptures and the libraries, the monuments and the museums, the cities and the factories—will be compressed into a layer of sediment not much thicker than a cigarette paper.
It is all a matter of time scale. An event that would be unthinkable in a hundred years may be inevitable in a hundred million.
Paradoxically, capital has unleashed myriad objects upon us, in their manifold horror and sparkling splendor. Two hundred years of idealism, two hundred years of seeing humans at the center of existence, and now the objects take revenge, terrifyingly huge, ancient, long-lived, threateningly minute, invading every cell in our body.
If I'd only followed CNBC's advice, I'd have a million dollars today. Provided I'd started with a hundred million dollars.
I love the life of objects. When the children go to bed, the objects come to life. I like to tell stories about the life of inanimate objects.
Man has been here 32,000 years. That it took a hundred million years to prepare the world for him is proof that that is what it was done for. I suppose it is, I dunno. If The Eiffel Tower were now to represent the world's age, the skin of paint on the pinnacle knob at its summit would represent man's share of that age; and anybody would perceive that the skin was what the tower was built for. I reckon they would, I dunno.
A Hundred Years From Now Well a hundred years from now I won't be crying A hundred years from now I won't be blue And my heart would have forgotton she broke ever vow I won't care a hundred years from now Oh, it seem like yesterday you told me You couldn't live without my love somehow Now that you're with another it breaks my heart somehow I won't care a hundred years from now * Refrain Now do you recall the night sweetheart you promised Another's kiss you never would allow That's all in the past dear it didn't seem to last I won't care a hundred years from now * Refrain
If someone offered me a hundred million dollars to make a movie? I would first remind him that there are 850 million people in the world who don't have enough to eat.
It would take one million men, one hundred years
Today the two hundred million men in our country are entering into a civilized new world...but we, the two hundred million women, are still kept down in the dungeon.
No matter when you had been to this spot before, a thousand years ago or a hundred thousand years ago, or if you came back to it a million years from now, you would see some different things each time, but the scene would be generally the same.
The traffic is getting worse everyday and thus making people do things they ideally wouldn't do and you can't blame them as sitting in their cars getting baked in the sun for at least a couple of hours everyday would turn anyone delirious.
But what are a hundred million deaths? When one has served in a war, one hardly knows what a dead man is, after a while. And since a dead man has no substance unless one has actually seen him dead, a hundred million corpses broadcast through history are no more than a puff of smoke in the imagination.
Is there deeply embedded change within our industry? And I would say, as a black filmmaker, it's easy for me to focus my attention on black work, but true change would include brown work, and it would include work by Asian-Americans, and it would include natives, and it would include women, and it would include more LGBTQ voices.
This site uses cookies to ensure you get the best experience. More info...
Got it!