A Quote by Neil MacGregor

Thanks to the unprecedented reach of British navigation, London in the early 18th century was not just the emporium of the world, it was the first place in which it was possible to assemble artifacts from around the world and allow people to study them.
The passion for exploration and discovery, the hunger to learn all things about all aspects of the physical world, the great and preposterous optimism that held that such truths were in fact discoverable, its dazzling sophistication and its occasional startling innocence; an age in which geographical and scientific discoveries surpassed anything previously dreamt of, and yet an age in which it was still, just barely, possible to believe in mermaids and unicorns - these remarkable traits so characterized the British 18th century
The right to express one's views, practice one's faith, peacefully assemble with others to pursue political or social change - these are all rights to which all human beings are entitled, whether they choose to exercise them in a city square or an Internet chat room. And just as we have worked together since the last century to secure these rights in the material world, we must work together in this century to secure them in cyberspace.
People clearly want to believe that the world is a just and fair place. It provides them a sense of control and makes them psychologically comfortable. But believing that the world is a just and fair place causes people to not do enough to take care of themselves and to be unprepared for when it isn't so nice. So, people need to understand their tendencies to see the world as just and fair and then be realistic about the actual conditions in which they find themselves.
I venture to claim two qualifications for the great office which I hold, which to my mind, without making invidious distinctions, is one of the most important that can be held by any Englishman; and those qualifications are that in the first place I believe in the British Empire, and in the second place I believe in the British race. I believe that the British race is the greatest of the governing races that the world has ever seen.
The first part of my career was indeed as a performer and recording artist, and I am still keenly involved with both. While rummaging around in the British Library, I found many delightful and interesting compositions by 18th-century men and women composers.
I'm a shopaholic when I travel. I have a large collection of artifacts from all over the world at my house, some of which I keep in drawers until I find a place to display them.
The lessons of the First Amendment are as urgent in the modern world as the 18th Century when it was written. One timeless lesson is that if citizens are subjected to state-sponsored religious exercises, the State disavows its own duty to guard and respect that sphere of inviolable conscience and belief which is the mark of a free people.
The first modern propaganda agency was the British Ministry of Information a century ago, which secretly defined its task as "to direct the thought of most of the world" - primarily progressive American intellectuals, who had to be mobilized to come to the aid of Britain during World War I.
If you go to old houses on Long Island you will see painted Chinese wallpaper, which was big in the 18th century. Throughout history, notable, established families have always tried to link to the 18th century.
For a long time everyone had a stereotype of ballet that it was easy and that we were just prancing around. But thanks to the Internet, and being able to share live performances and broadcast them to the world so that everyone can experience the ballet, I think it's inspiring people we wouldn't normally be able to reach.
Although the stories are very present in my book, and very present in my mind, what I was most interested in was the question of why it had attracted such a following in the 18th Century. It's less mysterious that it attracted a following in the Romantic period, and in the 19th Century, but the early 18th Century when the Rationalists fell in love with it...that was mysterious. What I wanted to look at was the forms of enchantment.
I wanted to create a believable feeling for 18th Century reality in the Perfume: The Story Of A Murderer. I didn't want this typical film feel of strange people in strange costumes, not really knowing what to do or how to move. If you put an 18th Century costume on Alan Rickman, it looks like he's been wearing it forever because he inhabits the stuff. He is a character that can really travel in time as an actor and transform into this 18th Century person with seemingly no effort.
Dubai was brilliant, they looked around the world. They saw Hong Kong, Singapore, New York, Chicago, Sydney, London all ran British common law. British common law is much better for commerce than is French common law or sharia law. So they took 110 acres of Dubai soil, put British common law with a British judge in charge, and they went from an empty piece of soil to the 16th most powerful financial center in [the] world in eight years.
At the end of the 18th century, a young British explorer named George Bogle became one of the first Westerners to penetrate the mysterious and reclusive realm of Druk Yul, or 'Dragon Land.'
I think the twenty-first century happened, basically. That this century started on 9/11. And basically, it's been a century of counter reaction to globalization and the meritocracy. And a good century for 72 nations have gotten more authoritarian. We've had Brexit. We have Le Pen rising in France. We've just got a lot of these types all around the world. And the people who are suffering from globalization and the meritocracy are saying, "No more. You know, we get a voice too."
When I was fifteen, all I wanted was to go off to some other world, a place beyond anybody’s reach. A place beyond the flow of time.” - But there’s no place like that in this world. - Exactly. Which is why I’m living here, in this world where things are continually damaged, where the heart is fickle, where time flows past without a break.
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