A Quote by Neil Marshall

At the end of the day, you're trying to make a certain film within a certain budget. Those rules never change. — © Neil Marshall
At the end of the day, you're trying to make a certain film within a certain budget. Those rules never change.
I have certain rules that I've established for myself that took a while post-day job to figure out. Everyone says people who freelance or are writers struggle with the structure of it. I'm not allowed to check email before a certain hour. I'm not allowed to run errands during the day. I have to write a certain amount every day.
If you're trying to understand why it is that certain things happen in Sacramento and certain things don't, at the end of the day, it comes down to the issue of incentives: We do what we're incentivized to do.
Certain environments, certain modes of life, and certain rules of conduct are more conducive to inner and outer harmony than others. There are, in fact, certain roads that one may follow. Simplification is one of them.
When I said that something was going to cost a certain amount of money, I actually knew what I was talking about. The biggest problem that we were having on the financing front was people with lots of money saying "you need more money to make this film [Moon]," and us saying "no this is the first feature film we want to do it at a budget where we sort of prove ourselves at the starting end of making feature films; we can do this for $5 million." That is where the convincing part between me and Stuart came, we had to convince people with money that we could do it for that budget.
What I'm trying to do is make music that people relate to, that talks about ideas that are personal but also make that connection to trying to make revolutionary change, and I don't need to change my music to get to a certain audience.
We love making movies. We got into the business to make movies. At the end of the day, whether you're doing a low budget film or a big budget film, you want it to do well and you want people to see it. That's the whole point. You want to put some kind of message in it.
I think you've got to accept that certain things are in process that you can't change, that you can't overwhelm. The chaos of our cities, the randomness of our lives, the unpredictability of where you're going to be in ten years from now - all of those things are weighing on us, and yet there is a certain glimmer of control. If you act a certain way, and talk a certain way, you're going to draw certain forces to you.
Turning the other cheek is not always the answer. In a certain situation on a certain day for a certain person, it's correct. Sometimes a good roundhouse kick on a certain day in a certain situation for a certain person is correct.
There are certain things that we can deal with by following the rules. But at times, we find the rules restrict you from doing the right things. On such occasions, we have to rethink - either you change the rules or break the rules.
I try to follow certain rules. Nothing in Élysée Palace should become habitual, because routine lends one a deceptive feeling of security. You begin not noticing certain things and lose your focus on what's important. Uncertainty and change keep you attentive. This place and, to a certain extent, my office, help me avoid developing habits.
A classic is classic not because it conforms to certain structural rules, or fits certain definitions (of which its author had quite probably never heard). It is classic because of a certain eternal and irrepressible freshness.
If you want to be certain, you should never get married. You should never change jobs. In fact, you might as well just stay home. Because I don't know anybody who is certain. That need to be certain is just procrastination.
The world has certain rules - Hollywood has certain rules - but it doesn't mean you have to play by them, and I don't, or I'd be a miserable person.
I guess there are certain conventions that come with film and with scoring film. So maybe one of those is menace in a lower register. It's trying to evoke some sense of chaos and adventure.
One of the reasons - I stopped doing films for about a year and a half because I felt that I was being somewhat used by producers that were trying to get their movies made within a certain budget range and not take care of me.
For most women, whether you're an actress or whatever you do, there is this pressure in society and within the world to look a certain way, dress a certain way, act a certain way, say certain things, and be this idea as opposed to being a person.
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