A Quote by Neil Marshall

I was a film editor for eight years before I made my first feature, 'Dog Soldiers.' I am from Newcastle upon Tyne, in the northeast of England. — © Neil Marshall
I was a film editor for eight years before I made my first feature, 'Dog Soldiers.' I am from Newcastle upon Tyne, in the northeast of England.
Well, I was born in Scotland and spent the first six years of my life there. Then I went to Newcastle-On-Tyne in northeast England, close to Scotland.
My first experience on a feature film was with Shane Meadows on 'This Is England.'
As soon as I finished film school I was thinking about, how do I get to feature films? It took about eight years, and I'm still working. Feature films was not the end goal. Feature films was one of the stages. Getting to the point of the Coen brothers or Tarantino, where you're writing your own material and have the budget to do it properly, that's the end goal, and I'm close to that.
I did the drawing and writing - for five years. I made a lot of short films the whole while and I made a promise to myself in front of the mirror that I would stop drawing when I signed my first contract for a feature film.
My last point about getting started as a writer: do something first, good or bad, successful or not, and write it up before approaching an editor. The best introduction to an editor is your own written work, published or not. I traveled across Siberia on my own money before ever approaching an editor; I wrote my first book, Siberian Dawn, without knowing a single editor, with no idea of how to get it published. I had to risk my life on the Congo before selling my first magazine story. If the rebel spirit dwells within you, you won't wait for an invitation, you'll invade and take no hostages.
The Tyne is at the bottom of my garden. When the river came up 16ft, 7ft of that went through my home. There wasnt only salmon in the Tyne - my three-piece suite was in there too. I had to be rescued. It was a year-and-a-half before we could move back in.
At no point did I ever doubt I would be as near as anybody could be to England's Elvis Presley. Even from eight or nine years old, I thought, Well, I'll be the greatest rock star in England. I just made up my mind.
I struggled for 10 years before I made my first film.
I am going to fight on the pitch for Newcastle and if it comes to the stage where someone says can you fight for England then I will fight for England. But I am not going to go on about it. It is just not worth it.
I've lost two jobs, at Newcastle and Norwich, but that's the nature of the game these days. It doesn't remove winning the Championship with Newcastle from my record, nor finishing 11th in my first season at Norwich after we went on an incredible run before Christmas.
Eisenstein was a good editor. I was trained as a film editor, and I've no doubt that the editor is key to a film.
When I made my student film, a feature, nobody wanted to talk to me and I was, like, in the desert for 12 years.
I've done movies that I've been advised not to do. 'Dog Soldiers,' the movie I did 11 years ago now, I remember my agent at the time was like, 'You shouldn't do that. It's a weird film about werewolves,' and it became a cult hit.
When we first made this whole idea this was going to be calling card film [Moon] and it was going to give the opportunity to make my first feature film. But it turned out a lot better, we just couldn't stop ourselves from going into it, and we are very proud that it turned into something that people wanted to see.
The feature film has changed a lot. Art houses are gone and people show a certain type of cinema in the big theaters now that, you know, it's not quite really good for me, and if I made a feature film, I was think I'd play in LA and New York for a week, and then go right to television.
I did a film that I shot in 24 hours that was self-financed for $5,000. It was a feature called Looking For Jimmy that I shot with a bunch of friends. I spent eight months editing because we had 24 hours of footage that made no sense and I learned a lot about directing while editing that film.
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