A Quote by Neil Marshall
My belief is that if you start a film all the way up at level 10, you've got nowhere to go.
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The key to success in any kind of start up is your level of persistence. It's not so much your intellect. The Zuckerburg's, Pages and Brins, that succeed have such a level of belief in what they are doing that they will put up with the kind of crap that most people won't put up with, they are incredibly persistent and resilient.
I don't have the story finished and ready when we start work on a film. I usually don't have the time. So the story develops when I start drawing storyboards. I never know where the story will go but I just keeping working on the film as it develops. It's a dangerous way to make an animation film and I would like it to be different, but unfortunately, that's the way I work and everyone else is kind of forced to subject themselves to it.
You should always make it like it's your last film. That's my personal belief. Every filmmaker is going to have another belief... That's the only way I know to try to make a film that might be good. You got to take it real seriously like it's your last thing.
Every year I just kept going back to gymnastics, but I didn't start out training 10 hours a day. When I turned 10 or 11, I got more serious and I focused a lot on making it to the elite level, and from there I just kept going.
In poker, you've got to start at the bottom level and work your way up. This advice applies to the limits that you play and the sizing of the bets that you make.
I grew up with 2 older brothers, the oldest of which was big into film. Hanging around him got me seeing so much good stuff at an early age. Maybe a 10-year-old should not be watching 'Boyz N the Hood' like 10 times in a row? I don't know. But it probably shaped me in some way.
If you're a film fan, collecting video is sort of like marijuana. Laser discs, they're definitely cocaine. Film prints are heroin, all right? You're shooting smack when you start collecting film prints. So, I kinda got into it in a big way, and I've got a pretty nice collection I'm real proud of.
For him it was a dark passage which led to nowhere, then to nowhere, then again to nowhere, once again to nowhere, always and forever to nowhere, heavy on the elbows in the earth to nowhere, dark, never any end to nowhere, hung on all time always to unknowing nowhere, this time and again for always to nowhere, now not to be borne once again always and to nowhere, now beyond all bearing up, up, up and into nowhere, suddenly, scaldingly, holdingly all nowhere gone and time absolutely still and they were both there, time having stopped and he felt the earth move out and away from under them.
It'll be the Internet and piracy that will kill film. There's a philosophy that the Internet should be free, but the reality is that piracy will destroy the film industry and film as an art form because it's expensive to make a movie. Maybe you'll have funky little independent movies, and it'll go back and then start up again some other way.
I think it happens with every career when you've been around 10 or 12 years. You start to get on cruise control a little bit, then you freak out and go, 'Oh my gosh, we've got to change some things up.'
And when you start to think about death, you start to think about what's after it. And then you start hoping there is a God. For me, it's a frightening thought to go nowhere. I also can't believe that people like Stalin and Hitler are gonna go to the same place as Mother Teresa.
There must be four or five hundred choirs here in London alone. In a way, there's nowhere else on Earth I could go and get this level and passion for singing in the one place.
The way I look at it, competing at a high level, whether that's business, art or film, athletics, anything you do, there's a certain way to go about it.
Better to start up a thousand wrong roads than to spend your life going nowhere because you know the way.
When you start a sentence with the word 'illegal', you've got nowhere to go. An illegal is illegal.
It's always been the way in Britain. I'm not sure what it is, but it's always been a cliche over here that we start wrestling from about 10-years-old. I'm really glad that I got the opportunity because it's given me a massive head-start.
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