A Quote by Neill Blomkamp
I love the idea of people being themselves in films.
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I love the fact that a lot of my audience is people from the inner city. African-Americans love my films. Whenever I go to have a meeting at Universal, the security guard just leaps to his feet and comes over, bumps my hand, and says, "Thank you! Thank you, I love your films!" And it's people who are kind of at the cutting edge of life and survival, and being near the nitty-gritty, who like my films, and I like that.
I love small films, and I love films being seen in a theater. I love film, and unfortunately, that's being phased out.
I like to see people put themselves into films, which is part of the reason why I love Woody Allen films so much - I believe his actors' work. I have a feeling that many actors in his films are similar to their characters, and I like that.
I'd like to get into the superhero genre. I'd love to do either a DC or a Marvel character. I just love the way they're approaching these characters in these films. I also would love to get back into some romantic films. I love romance films, especially between people of color, because we don't really explore that enough. I would love to do that.
It's a sacrifice for me. It's not really something I want to do. I don't love the idea of being a U.S. senator; I love the idea of being a mother.
I've always wanted people to feel great about themselves, for people to know how special they are and really love themselves and accept themselves and celebrate themselves.
But it isn't only the terror everywhere, and the fear of being conscious of it, that freezes people. It's more than that. People know they are in a society dead or dying. They are refusing emotion because at the end of very emotion are property, money, power. They work and despise their work, and so freeze themselves. They love but know that it's a half- love or a twisted love, and so they freeze themselves.
There's music in my films but you seldom hear it. Very early I got the idea that the important things in films were people - the actors. They are the intermediary between the director and the audience. They make direct contact. People to people communication.
Any time you approach anything in fear and aggression or in self-preservation mode, you are going to scare people off. But if you go in love, with the idea of being the feet and hands of Christ, if you go with the idea of showing the love of Christ, then they become softened because love changes all.
I like horror films and romance films. Films where you're going in being like, 'I'm coming here to be scared or to fall in love.' You have a goal.
I enjoy making all kinds of films. I love action films, war films, period films, adventure films.
I love being around people that contribute. It doesn't matter where the good idea comes from. A good idea is a good idea.
I challenge the idea that films about rich people are escapism and films about working class people are dour and sad. I find the opposite's the case.
I feel even old people can do a nice love story, but here we don't make that kind of films. In the West, such films are being made and they make a nice romance, which is more like compassion.
Love, experienced thus, is a constant challenge; it is not a resting place, but a moving, growing, working together; even whether there is harmony or conflict; joy or sadness, is secondary to the fundamental fact that two people experience themselves from the essence of their existence, that they are only one with each other by being one with themselves, rather than by fleeing from themselves.
I love being able to change from big films to small films.
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