A Quote by Neill Blomkamp

If you're a theater director, you're not going to be prepared for the technical side. And if you're a technical director, you're not going to be prepared for the acting side. The only thing you can do is go through the meat grinder of your first film.
I love working with film, whether it's the technical side, the acting side, or the musical side.
When any young director gets hired by a studio to do a $125 million film based on a preexisting piece of intellectual property, they're climbing into the meat grinder. And what you're coming out with on the other side is a generic, heavily studio-controlled pile of garbage that ends up on the side of Burger King wrappers.
There are solutions that are proper, but they require the painstaking and difficult work of building alliances and also being prepared to analyze the problem realistically. And exactly the same thing is going on my side of the Atlantic as is going on your side of the Atlantic.
I always think that a director who knows about the technical side, but cares about the acting performances and casting as well, is ahead of the game.
Sometimes if you're a director, you want to believe that you're great and capable at all aspects - the technical side, the lights, everything - but I'm not.
I asked a director once what the secret of it all was, and he said you have to be so prepared that you are willing to throw all your preparation away in the moment when you see something better. That's a phenomenal piece of advice. It's been my compass through the process of making films. But you can really only do that if you're prepared. You can't wing it.
The film The Conquest will be seen on many different levels and the American point of view is always more technical. The French are less technical - it's 'I like it, or I don't like it.' I hope that this film can have a life in the U.S. - it's the grand country of cinema. I grew up with Hollywood movies, so for a French director to have a film distributed in the U.S. is a real opportunity.
Look... we're getting to be old men, and we've spent our lives looking for the weaknesses in one another's systems. I can see through Eastern values just as you can see through our Western ones. Both of us, I am sure, have experienced ad nauseam the technical satisfactions of this wretched war. But now your own side is going to shoot you. Don't you think it's time to recognise that there is as little worth on your side as there is on mine?
A good director is very well prepared, and knows exactly how he's going to cut the film, so the shooting is as efficient as possible.
When an opportunity comes your way, it's about making sure you're prepared to be the one who can walk through the door and deliver the goods. And I've had a lot of luck on my side and I've been prepared for that luck.
If you understand the importance of developing a relationship with the director and making that director see that you're the best technical adviser and resource in the world on your subject, you'll be invited on set as a respected and integral part of the process.
In order to become a well-rounded musician, you have to master the three major aspects of guitar playing: the technical side, the musical side and the creative side.
We haven't seen a situation where you have the FBI director talk about an investigation side by side with the attorney general who confirms, yes, I accept the recommendation of the FBI director.
It reminded me of a meat grinder. From when I was a kid. Going to school it felt like you were in a meat grinder. It chews you up and pours out this mess that can't function
It takes a man a long time to learn all the lessons of all of his mistakes. They say there are two sides to everything. But there is only one side to the stock market; and it is not the bull side or the bear side, but the right side. It took me longer to get that general principle fixed firmly in my mind than it did most of the more technical phases of the game of stock speculation.
Going into my second film as a director, it's night and day of what it was like going into my first film. It doesn't matter what you know in your head and what you've been taught until you're there and doing it; it's a whole new ball game.
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