A Quote by Neill Blomkamp
I think there's a lot of crazy stuff on the Internet. You read stuff that is wild speculation, and there's an element of it that makes me not trust it because there's this undercurrent of insanity to it sometimes.
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The worst is when you read things on the Internet blogs, because people don't hold back. Sometimes you read wonderful things, but sometimes it's really awful stuff. Like on the Fashion Spot, for example, people always comment on you. They forget that we might read that stuff.
I wanted a woman, at first, with a classy side but with a really wild, crazy side. I wanted that because I'm wild and crazy sometimes. But that was then. Now I need less wild and crazy, like, a little bit of that element, but more class. A woman that's responsible and that wants to take care of herself.
I used to always read my stuff. And I could never understand why artists would say, 'Oh, I can't read my older stuff.' I'd go, 'Are you crazy? I could read my stuff forever!' Now it's a little harder.
I did plenty of crazy stuff, but I did a lot of charity stuff. You can't stop. You want to continue to taste, and sometimes that's crazy, stupid things.
The Internet unfortunately means that, although a lot of truth and good stuff can spread as a result of the Internet, I think bad stuff and negativity spreads even more quickly.
I listen to a lot of crazy stuff like pop, techno, rock, hip-hop, rap, baladas, bachata...my iPod is crazy. I like listening to a lot of stuff in different languages, so my music is always out there for me.
I can read books and news articles about people who have excelled, people who have done extremely well in their chosen field, or made a lot of money, or married well, or what have you. When some people read this stuff, they get inspired, but when I read it, it makes me feel worse. Sometimes I wish I had never learned to read.
I don't care about people kissing my ass or telling me how great I am. I don't really give a damn. I read the bad stuff a whole lot more than I read the good stuff. I read that because there are always going to be critics who are going to say how good you aren't.
Potentially, I would be very interested in being a shock jock, though Ofcom might be tricky. Some of the American stuff is appalling, wild stuff, crazy conspiracy theories.
It sucks for me, because now I have to not be as crazy as I am on the Internet. Which totally sucks, because it's not going to be fun anymore. But the repercussions are really bad. Like, Taylor Swift fans are really crazy. They threatened to murder me and stuff. It's really bizarre, and disgusting. They're the worst people in the world.
Believe me - I've done very good stuff and very crazy stuff, and I don't regret the crazy stuff.
When you do action stuff and sci-fi stuff, you have a lot to hide behind - the hair and the makeup and the special effects. But when you play a normal girl, it's challenging because you have to trust yourself.
What works for me is simply to read a lot of stuff throughout the year - not with a particular story or theme in mind, but just because you never know what might be useful or interesting in the long run. I much prefer to just absorb a lot of stuff and let the old unconscious chew down on it over time.
The Internet wasn't even an option for me, so one of the reasons I was so motivated to do street art was because there was no other outlet. Maybe if the Internet had been around then, I would have tried to do stuff that went viral and was clever and got me a lot of hits.
I cut a lot of cringy sex stuff and a lot of stuff I thought was too personal. I think secret gardens are very special. I think we all have to have them. I think the secret of memoirs is keeping those parts of yourself off the page, which makes what you do share more valuable.
I do crazy amounts of research. I want this stuff to 'work,' so to speak. I need to be, at least to me, believable - because if I feel - if I cannot invest some element of verisimilitude, the reader is absolutely not going to buy in.
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