A Quote by Neill Blomkamp
I think that in the realm of commercial, popcorn cinema, the amount of message or smuggling of ideas you can get in there is quite limited. Like, if you think you're going to make a difference or change anything, you're on pretty dangerous thin ice.
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I'm never doing anything by rote. I'm only on thin ice, and I think that that's a good place to be. I feel like when you push yourself like that, the rewards can be pretty great.
I really think that the psychedelic realm is the realm of ideas, and that ideas which change the world come first from that place.
I think a play can do almost anything, because it's also a static form, much more so than in a movie. In a movie you can move the scenery, you can do anything any way. A cartoon, happens in a limited amount of space and a limited amount of time, and you can only get so many words before the reader's gonna get impatient. All of these forms that I enjoy are in a sense a slight of hand, where you have to suggest much more than you really show. You have to, in a sense, seduce the reader and trick the reader or the audience into going with you.
I hate political films that have one particular message that they're trying to convey. I think propaganda is very dangerous, and it's very easy for anything to slip into it. I also think that propaganda is something that defies the identity of cinema. I hate propaganda in cinema, even if it was promoting the political stance that I myself am allied with. I always say that the responsibility of a film is first and foremost: To be a film. It's not a manifesto, it's not an op-ed.
There's nothing quite as powerful as people feeling they can have impact and make a difference. When you've got that going for you, I think it's a very powerful way to implement change.
Living in the modern age, death for virtue is the wage. So it seems in darker hours. Evil wins, kindness cowers. Ruled by violence and vice we all stand upon thin ice. Are we brave or are we mice, here upon such thin, thin ice? Dare we linger, dare we skate? Dare we laugh or celebrate, knowing we may strain the ice? Preserve the ice at any price?
I don't have a drawer full of ideas. I kind of look around and take notes and wonder what could actually be a whole movie. And each time, I think I'm going to do it more commercial this time; I'm going to get a big budget and make it. But I always come up with some small idea.
Many change initiatives are poorly thought out, and rolled out prematurely. Others are genuinely good ideas but the proponents underestimate the amount of time needed to make the change. And, I agree, true change usually requires people giving something up and so resistance is pretty well guaranteed for any meaningful change.
Also with that money comes the idea, "Let your imagination run wild." Which I think is a very dangerous thing. I think it's dangerous because you can get into pretty wacky territory. There are things that are too crazy.
People come to a company like Abbott sometimes and think, Its so big, I cant make a difference. I think just the opposite. I think everybody can make a difference.
Ideas are dangerous, but the man to whom they are least dangerous is the man of ideas. He is acquainted with ideas, and moves among them like a lion-tamer. Ideas are dangerous, but the man to whom they are most dangerous is the man of no ideas. The man of no ideas will find the first idea fly to his head like wine to the head of a teetotaller.
I think my experience is going to make a difference, but I also think that my speed and power are going to make a bigger difference.
No amount of anxiety or worry is going to make any difference to anything that's going to happen anyway, so why let yourself feel so heavy?
I think that the celebrity is a really important thing, because we have the voice that's recognizable, that can educate people to make a difference and empower them to make a difference, and to also get things in motion with the people in charge that can effect change.
I think it's important for anyone who takes cinema seriously not to limit yourself to just optimistic or happy movies. I think that's a problem. You've got to be willing to let the art of cinema take you into some darker places if you're going to make full use of it.
I think reality is thin, you know, thin as lake ice after a thaw, and we fill our lives with noise and light and motion to hide that thinness from ourselves.
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