A Quote by Nell Irvin Painter
You need to do some work even if you have the talent. So I just went the way that was easier, the way I knew what to do, but I have always had the pleasure of the eye. I've always enjoyed color. I'm a knitter.
Related Quotes
Even in junior high, I always knew I had a talent for music and I knew I could make money that way.
I always knew I was going to be successful in some way with films. I don't know why. I had no particular talent, but I always knew I was going to be sitting in a dining room with Lucille Ball and at a cocktail party with Bette Davis.
Art is always an exaggeration in some sense; in color, in form, even in theme, etc... but it has always been this way. It is the same with the nature of some works by Giotto or Massacio, or the color of life as expressed by Van Gogh.
I just always knew that I lived in two worlds. There was the world of my house and community, but to make my way in that white world I had to modify the way I spoke and acted. I had to sometimes not make direct eye contact.
Your average knitter, obsessed as we are with the art form, is quickly going to begin producing far more in the way of warm things than are needed by even an arctic-bound knitter. Knitting breeds generosity, true...but perhaps in a hurry to avoid burying ourselves in hand-knits. There are only so many scarves one knitter can use.
She'd always known he didn't love her. But it was easier to bear when he didn't know she loved him. That way they were even. Now he knew he had all the power.
My middle name really is perseverance. I've always believed that I had talent, even when I felt like a very inferior sort of person, which I spent a lot of time living my life feeling that I wasn't worthy. But even then I knew that I had something special, and maybe that's what it takes. Maybe people need to have that kind of particular core driving them. But I felt I had talent.
It makes it easier, if you can't do an American accent. I don't know. It's different. I played a character in Never Let Me Go where the script for my character was very sparse, and I enjoyed it. With Never Let Me Go, I had a whole book written from my character's point of view, so I always knew where I was. But, with Ryan [Gosling], it was just easy. He's such a brilliant actor and he is so prepared. He doesn't have to warm himself up to be in a scene. He's just in it. It draws you in, in a way.
Color is one way the eye and the brain work together to define the external world. However, not all cultures see color in the same way, nor do they give it as much importance as in western culture.
Hollywood's fickle. It's always been that way, and it will always be that way. And it's always going to be somebody new and exciting comes along. That's just the way it works, and it will always work that way. And I think that if you give it everything to the exclusion of your own real life and family, you've sold yourself down the river.
I you're writing memoir, but it even comes up in fiction. People just assume that you're writing thinly veiled autobiography. And particularly, I think, for people of color, our work is always seen as kind of anthropological artifact regardless. So, there's always going to be that assumption, but even more so in a memoir because often the names aren't even changed. It is easier to verify.
I had always been so much taken with the way all English people I knew always were going to see their lawyer. Even if they have no income and do not earn anything they always have a lawyer.
The books are always there, just the way you wrote them. The plays often don`t turn out the way you wanted them to because in the theater, you`re always involved with collaborators and they don`t always see the work the way you do.
I wasn't that academic, but I always made sure I was earning money. I never wanted to put all my eggs in one basket. Even when I started doing music, my parents were like, 'You need to work; you can't just live off music.' I always knew that. So I worked until I knew I was going to be financially okay.
Spectators around the world enjoyed watching Seve, but talking to a lot of the players, he made such an impression on them the way he played, and the way he was such a beautiful, natural talent. His hands on the club. His address position. He had an unbelievable way of telegraphing through his countenance what he was going to do with the ball. It was just like an artist.
I knew I had a sharper mind than most others and I had a sense of rhyme. One didn't even need to sing melodies. It felt like the perfect way to make my way out of the gutter.
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