A Quote by Nell Irvin Painter
We live in a world in which it's harder to talk about the American in the singular, so we're a multi. We have several different people who represent the United States, so in that sense whiteness, the salience, the importance of whiteness is kind of tamping down some.
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I think the idea that you're somehow rejecting whiteness if you don't identify yourself as biracial is odd because everybody engages in whiteness. If you live in America, you're doing whiteness all the time, even if you have no white people in your family.
The areas in which I teach are working-class history and African-American Studies and at its best the critical study of whiteness often grows out of those areas. The critical examination of whiteness, academic and not, simply involves the effort to break through the illusion that whiteness is natural, biological, normal, and not crying out for explanation.
Instead of accepting what James Baldwin called the "lie of whiteness," many people in lots of different fields and movement activities have tried to productively make it into a problem. When did (some) people come to define themselves as white? In what conditions? How does the lie of whiteness get reproduced? What are its costs politically, morally and culturally?
Not surprisingly, thinkers from groups for whom whiteness was and is a problem have taken the lead in studying whiteness in this way. Such study began with slave folktales and American Indian stories of contact with whites.
I don't know what people mean when they ask me whether I'm embracing my whiteness. Whiteness is ubiquitous.
To Trump, whiteness is neither notional nor symbolic but the very core of his power. In this, Trump is not singular. But whereas his forebears carried whiteness like an ancestral talisman, Trump cracked the glowing amulet open, releasing its eldritch energies.
Since I got to this country when I was 12, I've been obsessed with this idea of whiteness and blackness because I realized I was neither. For me, it was so important to me to make a film that focused on whiteness because you wouldn't have blackness if you didn't have whiteness.
The privileged position of whiteness doesn't allow for someone with one drop of Negro blood to be considered white, which allows whiteness to be a fairly pure category while blackness has to absorb an expansive reality of representation.
The American Dream has really good PR. It's kind of difficult to live in the United States and not on some level be pulled into the allure of the American Dream. It's in the DNA of the country. So, for a population coming out of slavery, desperate to become part of the full life of the United States, it only makes sense that they would embrace this route to the American Dream.
That virtue therefore which is but a youngling in the contemplation of evil, and knows not the utmost that vice promises to her followers, and rejects it, is but a blank virtue, not a pure; her whiteness is but an excremental whiteness.
There's this sense that whiteness is the default and does not need to be questioned. That you've got a race if you're black, or any kind of Asian, or any kind of Native American, but that you have no race if you are white.
Every lethal terrorist attack in the United States since 9/11 has been carried out by an American citizen or a legal permanent resident, not by recent immigrants or by refugees. So tamping down immigration won't fix the real issue, which is 'homegrown' terrorism.
We assume whiteness is the default because whiteness, historically, has been the default. This is one of the many reasons diverse representation matters so much. We need to change the default.
I believe that also it should be stressed and made clear that our antagonistic position is not to say "I don't like whites" for the simple fact of not liking white people. It's like, our fight is not against the white person per se, but against the exercises of white supremacy and the form in which whiteness and the politics of whiteness operates.
For radical white writers wishing to forge interracial movements of poor and working people, whiteness has also long been a problem, with Alexander Saxton and Ted Allen making especially full efforts to understand whiteness in order to disillusion whites unable to see past the value of their own skins.
If whiteness were of no particular advantage, then having a fuller color wheel of skin tones would be purely a matter of celebration. But whiteness - just a drop of it - does still carry privilege. You learn that very young in America.
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