A Quote by Nelly
I guess coming after 'Country Grammar' and everybody thinking, 'Well maybe, that was it.' To come back with something like 'Nellyville' and to have people accept it and appreciate it the way they did, that was a great move.
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Some people actually said I fell off at Nellyville cause I didn't sell as many as Country Grammar. I'm like are you kidding me? Sweat and Suit? I broke history, I was the first rapper to have 1st and 2nd album at the same time ever on billboard.
Like everybody else, I've got dark and light, trying to hold onto the civilized part and use it successfully. I'm sure that includes competition, but not in a way that I can recognize. Most of the games I like have more to do with the process of the game or the aesthetics. Racing's really about the aesthetics for me, not particularly the idea of coming in first - though I certainly appreciate a champion, and I like watching people do something really well.
People ask me if I'm influenced by British music, and I suppose I grew up listening to mostly British music - from new wave stuff through to heavy metal. Like, when I got into metal, it was Black Sabbath. I never really got into a lot of American rock. I appreciate some of it, but not much! Most of the great new wave music was coming out of Britain, and Germany. So maybe those influences have made their way into my music, and perhaps that's why I have this connection with people in Europe. But maybe it's something cosmic.
The shifts happen on a regular basis, but it's like a cycle. So things come in and out of vogue and then five years later they're back in vogue. Or there seems to be a theory that this is the way the industry will go and everybody goes over that way and then something happens to the country and you're back again at the place you were.
When I came here, I was a little bit different and in Finland people didn't really accept me, and then I came here and I saw Honey G doing so well and I thought 'British people are so great, they accept Honey G as she is, so maybe they'll accept me as well.'
We live in the best of worlds. But still, it's like we've lost something on the way to here: a sense of life. I can't know for sure, I might be the only one who's lost it. Maybe everybody else is living the now, thinking they're having it well. Anyhow, that motivated me to write the books.
I appreciate the people there thinking about me, and I look forward to coming back to Paris for that occasion.
I think something that has separated me from the rest of the competition - maybe it's just my way of thinking - I don't necessarily go into fights just wanting to win but to actually dominate. So when I don't feel like I dominate, sometimes I feel like a loser, I guess, you know, maybe in that perspective.
Personally I think that grammar is a way to attain Beauty. When you speak, or read, or write, you can tell if you've spoken or read or written a fine sentence. You can recognise a well-tuned phrase or an elegant style. But when you are applying the rules of grammar skilfully, you ascend to another level of the beauty of language. When you use grammar you peel back the layers, to see how it is all put together, to see it quite naked, in a way.
We did exactly what everybody in the country did, watching it. You entered this state of sort of denials. You think, well, it must have been a tragic accident by an amateur pilot. And then you see the next plane coming.
People who think that grammar is just a collection of rules and restrictions are wrong. If you get to like it, grammar reveals the hidden meaning of history, hides disorder and abandonment, links things and brings opposites together. Grammar is a wonderful way of organising the world how you'd like it to be.
It's always nice when you do something and it's well received as opposed to the other way which God knows happens to everybody. When the good times come around, you take a deep breath, appreciate it, but not take it too seriously.
I really had to come to the conclusion, the sort of humbling conclusion that, guess what, I'm no different than anybody else: I've got to sort of ask for help - not something I ever did, ever. And then part two of that is, like, accept it when it comes, and, you know, believe what people tell me.
My concerts consist of black, white, Korean - everybody. And the age group is so broad, from kids to great-grandparents. I have a lot of people with disabilities who come to my show as well. I personally move them to the front of the line because the lines for my autograph signings are so long. I make sure everybody has a good time at my show.
I really wanted to give people that tool, that thing, that answer, 'Well, what are you going to do after Katrina? How does New Orleans come back?' And I'm thinking to myself, New Orleans is back. We're the definition of 'back.' We're the definition of 'rebirth,' of 'renaissance.'
The challenge for us is to try and come back and raise the bar above what we did the last time. We're coming back with season three of 'Twin Peaks' after a 25-year absence.
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