A Quote by Nia Long
I have been in situations where actors are treated like robots: say the lines, say it like this, we don't have time for conversations. That is a terrible position to be in as an artist. You feel used.
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I don't really like actors. Actors are like terrible comedians with no punch lines. It's all about them. They talk about themselves all the time. They bore the sh - t out of you.
A lot of things encouraged me to start my label. I think it's very important for an artist to know how many records they've sold and where they've sold. I know that I have never been treated the way I'm supposed to be treated - like an artist. That's why I do things for myself. I feel like I'm a free man.
The least amount of info actors get, the better. Actors are always like, 'What is my motivation for this?' You didn't write it. Just say the lines.
There is such a problem with racism, so to actually just say it and have so many people of colour message me and thank me for saying something... I remember when I used to cry about it to my manager I used to be like: 'Why do I feel like this?' and she'd never say it, and I'd never say it. It was really strange.
It took me a long time to get to a position where I can feel that, with my art, I'm capable of saying what I need to say, and once I finish it, I can sit back and say, "It's done, and I'm okay with that. People can judge it good or bad, and it doesn't matter. I'm okay with it because I said something I needed to say." That's a really hard place to get, as an artist.
I've been in some situations where people have treated me like a fascinating toy. You know, it's just like an interesting kind of fun thing to have a play with. It's very weird for me. I feel like a tiny baby.
I don't think that writers or painters or filmmakers function because they have something they particularly want to say. They have something that they feel. And they like the art form; they like words, or the smell of paint, or celluloid and photographic images and working with actors. I don't think that any genuine artist has ever been oriented by some didactic point of view, even if he thought he was.
Where did you go to school?” Piers inquired. “Your all together too literate for a butler. Most bulters I know say things like as you wish, my lord, and leave it at that. Our conversations should be along these lines: Prufrock, bring me a wench and then you would say, as you wish.
Giving back has to do with the way I was brought up and the fact that I've traveled widely and seen terrible situations in the world. To sleep well at night, those of us who are in a position to help must address these situations. I'd get far greater satisfaction out of, say, walking into a hospital I'd built in South Africa than I would by sitting on a beach. I'm fortunate enough to be in a position to make a difference, and I don't want to waste that. I suspect I was also lucky to have parents who drove me from a young age.
The costume the actors wear and if they're in stylized makeup and wigs in a live-action movie let's say, in a big costume drama, even though it does give them a sense of great ambience and environment and they kind of feel like they're in a great court, or if they feel like they're in the old west, or if they feel like they're being chased by hobbits or dinosaurs, it all comes down to the actors looking each other in the eye.
I feel like, in acting classes, you'll get up sometimes; that's just the most vulnerable position you can be in. You're among your fellow actors, yet they look at you, and they're like, 'You've been on TV. You've been in movies.' It almost adds to the pressure.
I'm obsessed with subtexts. I love that we often don't say what we feel. That gap between the two. I like it when actors reveal a lot without having to say it.
There are some conversations that are undeniably improved when the rule going in is that you have to stand behind what you say and have to wear a name tag when you do it. But that's certainly not all conversations. People might be prepared to ethically stand behind what they say, but might be in a position that they can't afford to lose their house over it. Speech shouldn't just be for people with lawyers.
I've had terrible, terrible, terrible shows where I just thought, "That was off-key" or I forgot lines or I thought I looked like an idiot, and then you're leaving and talking to people, and they're like, "I had the best time of my life! That was amazing!" You just never know.
Mr. Hitchcock did not say actors are cattle. He said they should be treated like cattle.
At different times in life, I've felt like it's time to say goodbye from some form of myself that's been hanging around for a while - you just feel this urge to move on, like a herd of antelope. They're just standing there in a field eating grass. You feel like that as a person sometimes. Where's it's just time to move on.
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