A Quote by Nicholas Ozeki
I think Hollywood is more of a state of mind then a place. There are certainly iconic locations in L.A. but as far as the glitz and glamour of old Hollywood and the studio system, that's all but faded away.
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I think when people think about California, they think about straight Hollywood, that Hollywood glamour, whole bunch of flashes, so much paparazzi.
I didn't go Hollywood on the outside with flashy cars, upstairs maids and mink covered bathroom fixtures. I went Hollywood on the inside and that's worst of all. I tried to avoid being natural. I lowered my voice. I copied the mannerisms of other stars. I struck poses. I received bad advice - from dramatic coaches, from agents, and from studio executives. I stopped being a human being. I blame myself and I blame Hollywood's star system.
I think Hollywood... well, there is no Hollywood anymore so let's just call it the mainstream since the business is no longer Hollywood producing its own films and then distributing, they just distribute.
I didn't grow up in Hollywood - the place, or the state of mind.
There's nothing in Hollywood that's inherently detrimental to good art. I think that's a fallacy that we've created because we frame the work that way too overtly. 'This is Hollywood.' 'This isn't Hollywood.' It's like, 'No, this is actually all Hollywood.' People are just framing them differently.
It just kind of continues to be strange and interesting to me to try to understand what other people are looking for. And this also just comes from getting older. You look at the stuff certainly that's coming out of Hollywood these days, and you go, "Did what came out of Hollywood when I was a kid make more sense, or was it just that I was in the demographic then?" But I certainly feel increasingly confused and disconnected from it.
I think Hollywood's gotten more reactionary and conservative over the years, because there's no longer art in Hollywood. Art suffers in Hollywood.
Hollywood is still the cradle of many myths, including the one of eternal youth. I find it odd that the very notion of desire, when applied to a woman over 40, is turned into a pathology or a mockery in a number of films. But Hollywood is not the only place to blame, by far. This is just a rendition, possibly magnified by the power of movies, of a general state of things, social, cultural and political.
Old Hollywood glamour just seems, well, old.
I think Hollywood is interesting. As an actor, Hollywood would be a horrible place to go if you weren't actually invited.
What you have now is a Hollywood that is pure poison. Hollywood was a central place in the history of art in the 20th century: it was human idealism preserved. And then, like any great place, it collapsed, and it collapsed into the most awful machinery in the world.
My muses were all the incredible, iconic women of glamour in Hollywood that I have worked with over 15 years. Anjelica Huston, Michelle Pfeiffer, Gwyneth Paltrow, Lena Dunham, Viola Davis, Rihanna, Demi Moore.
I have no interest in changing Hollywood. Hollywood is a place so consumed by the spirit of the world that I don't even want to try to think about how to infiltrate that.
I like to go to the movies at The Hollywood Forever Cemetery. They do this thing in The Hollywood Forever Cemetery in Hollywood where everybody sits out on the grass and they project movies and it's very romantic and very old-school Hollywood, so I love that.
Glamour's my thing. The glamour is what got me into this business in the first place. I lived in a fantasy world in order to survive. Now that I'm here, I plan to work it. That means playing the part--long, tight dresses, slick! Unless you rise to the occasion, Hollywood doesn't really exist.
I look to women who epitomize old Hollywood glamour, like Rita Hayworth.
