A Quote by Nick Castle
Escape' really helped launch my career as a writer/director, so from there I just kind of took off on my own.
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I think my family's watched me over the years in my career, in my pursuit of my career, and they've seen the challenges and the struggles that come with being an actor, with being a writer and a director, and the challenges of morphing my career in from just being an actor into a writer/director.
Once I was able to be my more authentic self, I felt like that's when my career really took off. I was just my own voice.
That's how it all started, when I met my wife. My music career, even though I started when I was 16, it never really started till I was like 30, when I started singing and writing my own songs, and that's when it really took off. But prior to that, I was just doing a bunch of covers.
I think the writer's quite low down in the hierarchy really. But the fact that they took the piss out of Nicholas [Hynter] who, besides being the director, is also director of the National Theatre is, I'd have thought, slightly more risky.
In standup, it's just you. You're your own writer, your own critic, your own director, and it's never the same. You really don't always have it down. Your continue to learn, you continue to risk, and I really love it.
I began as a model, but that did not really hold my interest for too long! I believe I stood out from the parade of models trying to make it in Hollywood, which helped launch my career beyond the one-night-stand horror movie.
Games take years to make, and it's important that when we launch, it can't just be a great launch catalog and then a desert for a really long time. To be honest, for a lot of developers, they'd rather not be competing at launch with all this other software.
I would love for a movie that I'm really proud of to launch my career but I wouldn't like it to be some teen kind of thing that I did for money.
The expense of getting into space is the rocket launch, the rocket itself. Rocket's right now, commercial rockets cost probably somewhere between $50, or $120, or $150 million per launch. And those are all expendable. That is, you've got to buy a new rocket for each launch. So, that really is the critical part. If there was some kind of really, a revolutionary breakthrough and the price of rockets fell by an order of magnitude, I mean, just imagine what that would do as far as getting access to more ordinary people.
I think you can't really escape any kind of spiritual education as a child, whether it's New Age or Judaism or Buddhism or whatever it is. You can't escape it, even if you completely disagree with it, you still have it as a foundation that you base things off of.
I thought a director was like a pillow who sat under the writer, supporting them and submitting to their vision. It took me a long time to realise that what a writer really wants is a production that matches the play and the writing. It is the only way the play can achieve its full potential.
As an actor, I just go off the director. I never ask how big the part is. I don't look at it from the perspective of, 'Is this going to be good for my career?' I just look for directors, and I think part of that is I knew I always wanted to be a director.
There's one scene where I took my t-shirt off. I was wearing a t-shirt and a hoodie, and I took my hoodie off and took my t-shirt off to give to the girl because she got her top dirty or something. It was like, why don't I just give her my hoodie - that makes no sense whatsoever! I just took off another layer just to take my top off.
I went to art school, and I studied drawing and video art, and I've always approached music so visually as a result that I found it really difficult in the past to kind of hand off music to another director, 'cause it just ends up being this kind of mid-zone where it's nobody's vision, really.
I loved seeing my name in print, I loved seeing my words in print. I felt really privileged to be in the kind of company I was in at Esquire, but I didn't think it was going to launch a career as a top-notch journalist. It's just not what I wanted.
Wayne Wang, the director, really helped me become a more mature actress. When I first started filming, I was really over the top. He just helped bring me down and make me real. That was really wonderful, a really wonderful experience. Also, what I learned about filming is it takes forever. I mean, there are so many different angles and shots. I mean, it just takes forever.
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