A Quote by Nick Park

My father, an architectural photographer, was an incurable tinkerer, maker and mender. — © Nick Park
My father, an architectural photographer, was an incurable tinkerer, maker and mender.
I am very comfortable with conflict, be it of the legal or mortal kind. My father was a mediator, a bridge maker. I am a grave maker.
I got five kids, and my oldest is a documentary film maker and camera man, and still photographer.
I never intended to write poems, nor to be a photographer, nor to be a film-maker. I just took many, many pictures and I would put them in an album, and then some years later I decided to show them and suddenly I was called a photographer. Same thing with my poetry. They're notes that I'd written in a book and it may be considered poetry.
There is no such thing as an incurable disease, only incurable people.
I've never not been sure that I was a photographer any more than you would not be sure you were yourself. I was a photographer, or wanting to be a photographer, or beginning - but some phase of photographer I've always been.
When I heard 'incurable'... incurable is a tough word.
I became a photographer in order to be a war photographer, and a photographer involved in what I thought were critical social issues. From the very beginning this was my goal.
Well, I'm not going to get into that. I think that those kind of distinctions and lists of titles like "street photographer" are so stupid. I'm a photographer, a still photographer. That's it.
Back when I was a professional model-maker at Industrial Light & Magic, my specialty was hard-edged construction - spaceships, miniature sets, and architectural stuff. These objects were sometimes just 12 inches across yet needed enough detail to fill a movie screen.
...We have seven people who knew the skewers were there: the wedding planner, the reception hall manager, the dressmaker, the florist, the veil-maker, the cake-maker, and the caterer. I haven't ruled out the butcher, the baker, and the candlestick maker, either.
The Crystal Cathedral is not an attempt to be an architectural ego-statement. It's probably the ultimate spiritual and psychological statement that could be made in architectural terms.
I think when you look at architectural photography it doesn't help to have piles of old clothes lying on the floor. Architectural photography sets up an artifice.
Architectural drawing is a language with conventions where the rules can be deliberately misused; a well-composed architectural drawing can both contain correct and incorrect arrangements of meaningful things.
Evolution is a tinkerer.
It's unfortunate that a certain type of stripped-down classicism became the in-house architectural language for 20th-century fascism. Can an architectural language recover from such an association? Yes, I think it can, because in the end what you're talking about is a column and beam.
Nature is a tinkerer, not an inventor.
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