A Quote by Nick Park
I'm always there at home thinking of Wallace and Gromit ideas.
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I think we all have a Wallace and Gromit inside us. Wallace is the part that has wild plans. Gromit is the sensible side, reining you in.
I went back over the sketch books I'd filled at Sheffield for ideas and discovered Wallace and Gromit, except Gromit was a cat then. I made them into Plasticene shapes and started 'A Grand Day Out.' It took me longer than I expected.
I used to draw and make plastic figurines and watch 'Wallace and Gromit' films.
But I think people see 'Wallace and Gromit' as something akin to an elderly couple. These two know each other so well. Nothing can split them apart.
Wallace and Gromit's Children's Charity does a fantastic job, raising funds to improve the lives of sick children in hospitals and hospices throughout the U.K.
When we first sold the Wallace and Gromit shorts to America, people suggested we get rid of the strange British accents and put clear American voices on them, and we held out.
I've always been more of a nerdy, academic type. I loved 'Star Wars' growing up. I have three older brothers, so they were a big influence on me. We loved 'Danger Mouse,' and we love 'Monty Python'. We loved any kind of British comedy and 'Wallace and Gromit' and all of that stuff.
[On Vice-President Henry A. Wallace:] Much of what Mr. Wallace calls his global thinking is, no matter how you slice it, still globaloney.
Wallace and Gromit's contraptions are created purely for gags, but we all have the urge to invent - especially children. If they're bored, kids will make something from cardboard boxes, yoghurt pots, tape and elastic bands. Often, those constructions are the best.
What I want to do is try to raise the level of SCI-Arc's original mission, which was to be forward-thinking. And let's face it, if you're forward-thinking and you're dealing in concepts of new ideas, history has told us that new ideas are not always wanted by everyone.
We travel because we need to, because distance and difference are the secret tonic of creativity. When we get home, home is still the same. But something in our mind has been changed, and that changes everything. Several new science papers suggest that getting away is an essential habit of effective thinking. When we escape from the place we spend most of our time, the mind is suddenly made aware of all those errant ideas we'd previously suppressed. We start thinking about obscure possibilitiebsthat never would have occurred to us if we'd stayed home.
Alfred Russel Wallace, the codiscoverer of the theory of natural selection. Following their twin announcements of the theory in 1858, both Darwin and Wallace struggled like Laocoöns with the serpentine problem of human evolution and its encoiling difficulty of consciousness. But where Darwin clouded the problem with his own naivete, seeing only continuity in evolution, Wallace could not do so.
There was a time when I was really going to give up acting-- right after Foxfire. I was trying to find characters with a certain strength and things going on, but I was always disappointed. Wallace was the first thing I did where I felt their ideas were better than mine.
Many people are under the delusion that I'm just a special-effects man, but I've worn many different hats in my day. On every film I've been involved in, I worked with the writer and producer. We really formulated those scripts. We tried to make films that were logical but still had the fantasy feel of it. I enjoy Aardman Animation's films with Wallace and Gromit, but they're obvious puppet films, whereas we tried to disguise it and make our effects characters in the films rather than obvious puppets.
I'm always thinking about story, and the development of ideas or images, so with all types of media, I'm simply trying to communicate the feelings and ideas in the story or characters in the most appropriate and effective way.
To be changed by ideas was pure pleasure. But to learn ideas that ran counter to values and beliefs learned at home was to place oneself at risk, to enter the danger zone. Home was the place where I was forced to conform to someone else’s image of who and what I should be. School was the place where I could forget that self and, through ideas, reinvent myself.
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