A Quote by Nick Park
Get out and make films. There are so many cameras now to suit any budget, so there are no excuses.
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Sometimes, they don't even make films with good cameras - they shoot with normal cameras and release the films. If this is going to be the case, the industry will not see quality films.
I found people that were willing to push me. I was like, 'These are my goals. I need you to get me here.' I don't need any excuses. I won't make any excuses. I'm over making excuses.
One of the head guys at Disney categorically said to me, 'We don't want to make children's films any more. We want to make films that are going to appeal to all quadrants.' Hence you have films like 'Shrek' and all the Pixar stuff, which is designed to suit everybody.
We've seen so many films now, that you have to be on par with the best films that have preceded you. You just can't make any movie and it will be good.
We've seen so many films now, that you have to be on par with the best films that have preceded you. You just can't make any movie and it will be good
Cameras are dangerous. With no waiting period or background check, any whack-job could just stroll into a Wal-Mart and walk out with a semi-automatic. Now, for years I've been pressing for stricter regulations on cameras, especially around our elected officials. Too many political lives have been cut short by some crazed shooter.
Alternate between short films, long form films, with or without stars, small budget or big budget films. Basically a filmmaker needs to be flexible.
What's so fun when you shoot in a car is you get to research all the other road movies that have ever been done, and you try to figure out where do they place the cameras and how many shots can you get with your people in the car. So just doing the research on the films is so fun.
I prefer the smaller budget versus the bigger budget because the mentality that goes along with big budget filmmaking doesn't really suit me; the mind-set that money is the answer.
People gravitate occasionally to the brilliantly made art low budget films, which is maybe one out of every five hundred low budget films made.
The big budget films have money to do things that are not necessarily essential but sure are comforting. The catering is usually much better. And you have way more of anything you could possibly need. You definitely get a trailer. My shirt and suit for 'Million Dollar Baby' were tailor made.
We try to make films for people [that are] the films that we'd like to see. They're not easy to get made. They're hard to get made. You have to keep the budget low to get them made. But at the end of the day, I don't really worry about competition, because I don't really think of it that way. I don't feel like I'm in a race with anybody.
I love French films, and European films. They're not any bigger, but there's just a sort of definition, and a confidence, and strength to them. I'd always, given the option, go and see a French drama. Obviously, we probably get the better ones. But they're just sophisticated on many levels, and grown up, and quite profound - and we don't make films like that.
I've been doing photography in one form or another for, oh golly, over seventy years. I don't carry cameras. I used to. For many years I carried cameras wherever I went. Photograph whatever I saw that was of interest. In the last years, I've only used cameras to explore thematic ideas which presented themselves first. And then bring out the cameras to try to explore that idea.
This is a wrong notion that I work in big budget films. Infact, usually low budget films are offered to me, they come and say it's a good story but they don't have the money.
This fight should be dubbed, 'No Excuses.' If Carl Froch beats me, there won't be any excuses. I beat Carl Froch, there shouldn't be any excuses. No judges, no referees, no nothing. May the best man win.
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