A Quote by Nicolas Roeg
How can you judge one film against another?
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I am saddened by how people treat one another and how we are so shut off from one another and how we judge one another, when the truth is, we are all one connected thing. We are all from the same exact molecules.
Don't judge me. You wanna judge me, put on a black gown and get a gavel. Get in line with the rest of them that's about to judge me. I got court dates every other month. It's me against the world - that's how I feel.
I must judge for myself, but how can I judge, how can any man judge, unless his mind has been opened and enlarged by reading.
In the country field, we’re brought up in spiritual homes, we’re taught to “judge not lest you be judged,” and it’s always been a mystery to me how people jump all over things just to criticize, condemn and judge other people when that is so un-Christian – and they claim to be good Christians! We’re supposed to love one another. We’re supposed to accept and love one another. Whether we do or not, that’s a different story. But that’s what we’re supposed to do.
I certainly would not vote against a particular judge already in office because of a decision in a case. You may not agree with a judge's decision, but the judge must act within the law.
One percent of the nation owns a third of the wealth. The rest of the wealth is distributed in such a way as to turn those in the 99 percent against one another: small property owners against the propertyless, black against white, native-born against foreign-born, intellectuals and professionals against the uneducated and the unskilled. These groups have resented one another and warred against one another with such vehemence and violence as to obscure their common position as sharers of leftovers in a very wealthy country.
I don't care how inventive you are; once you introduce strings into the ensemble for a horror film, you're entering into a world where a tradition has been thoroughly established. So it's repeated use over the years is like, 'Oh God, another film with strings, another spooky movie with strings.'
To the question how one kind of labor can be measured against another, how the labor of the artisan can be measured against the labor of the artist, how the labor of the strong can be measured against the labor of the weak, the communists can give no answer.
I judge the importance of my character by seeing how much the movie will be affected if you take my role out. If it does affect the film, then my character is important and if it isn't then I wouldn't do the film.
My last experience of film-making was Tickets, a three-episode film in Italy, the third of which is directed by myself. It's not for me to judge whether it's a good film or a bad film, but what I could say is that nobody had a cultural or linguistic issue with what was produced.
You can kind of judge how old a film is by the size of the cell phones.
Every film has a political side. It's something that you cannot ignore. Politics is a part of everything, it's how we speak, how we perceive one another, how we hold this interview: Everything is politics. But it's a very different thing to just stuff your film with political messages.
Do not judge. Never presume to judge another human being anyway. That's up to heaven.
My investment of time, as an educator, in my judgment, is best served teaching people how to think about the world around them. Teach them how to pose a question. How to judge whether one thing is true versus another.
Critics are entitled to have an opinion, but how can they judge how comfortable a building is? No critic is smart enough to judge how a building will perform over time.
It's Steven's [Sebring] view of what he saw in traveling and working with me. But on another scale, I think the film [Dream of Life] is very humanistic: It touches on motherhood, death, birth, art, laundry, anger against the Bush administration... While I don't think it's the kind of film where one goes to find some of the darker, edgier aspects of life, the film was born of grief.
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