A Quote by Nicolas Roeg

I was very glad later when I was directing that I wasn't in the hands of a cinematographer and hoping that he would do it well. I would know what he was doing, and we could discuss how that scene would look.
I just want to say, that if Jesus were alive, what would he be doing? Well, he would probably be accepting and loving people how they're made. And I always say this and it's really the truth. If being 4'11 was a sin, what would I do? Well, I could wear heels and I could add a wig.
So I was doing well academically, and I was a well-ranked tennis player and was the apple of my handsome father's eye-and then I would bring home a report card with a B-plus on it, and my parents would look at the report card as if I'd flunked. "Uh, honey?" one of them would ask, looking perplexed. "Now, this isn't a criticism but, if you could get a B-plus in philosophy, how much harder would it have been to get an A-minus?"
We would choreograph [ with Paul Dano] before each scene [in Swiss Army Man] and very quickly got to a place where we could improvise physically in scene and know that the other person would respond in character appropriately. So that [dynamic] was a lot of fun.
At that time when I was struggling with being successful in a financial way, people would say, "You should be very happy. Look how well you're doing financially," and I was struggling to find purpose, if you would. There's quote from Einstein that said, "Happiness and well-being are the ambitions of a pig." And I thought, "Boy, that's exactly how I feel."
After launching the first version of Facebook for a few thousand users, we would discuss how this should be built for the world. It wasn't even a thought that maybe it could be us. We always thought it would be someone else doing it.
I don't know necessarily that I would produce under my own company right now. Producing is not something that I'm thinking about. Directing is something that I will be doing very shortly, trying to figure out what to get my hands on. And I can't imagine writing a script and wanting to direct it and not having a producing credit, because I would want to have a big chunk of power on that end, if I wrote something.
You would think after all the hours I’d spent with Gale– watching him talk and laugh and frown– that I would know all there was to know about his lips. But I hadn’t imagined how warm they would feel pressed against my own. Or how those hands [...] could entrap me… I vaguely remember my fingers, curled tightly closed, resting on his chest.
I would go with my husband to the tailors where he gets his shirts made, and I would watch the bespoke process. I would ask them, "Would you be able to make that for me?" And they would always say, "Well, yes, but no." They were very French about it. I decided I would just do it for myself. And I started doing that. Then other people would notice, and want it. So I started doing things for friends, little pieces, and my own line grew that way.
I would consider directing. I think directing myself would be tough, but I'm definitely interested in directing. I might start off directing a play before I move to a film.
I was this kid, and I was scared to death of all these pros around me... My head would shake, and my hands would shake, and I discovered if I kept my head down and looked up, my head would not shake, so I started to do that when I could, when it was appropriate in a scene.
From that day on, it was the desert that would be important. She would look to it everyday, and would try to guess which star the boy was following in search of his treasure. She would have to send her kisses on the wind hoping that the wind would touch the boy's face, and would tell him that she was alive.
It's crazy how intelligent kids can be at a very young age and how they know what they know. I came out of the womb drawing on everything; I used to draw on my mother's white furniture and her white walls with her red lipstick and my pencils. Little did she know that would later materialize into me doing what I do now - I'm a painter as well and a micromechanical engineer.
It would be a wonderful experience to stand there in those enchanted surroundings and hear Shakespeare and Milton and Bunyan read from their noble works. And it might be that they would like to hear me read some of my things. No, it could never be; they would not care for me. They would not know me, they would not understand me, and they would say they had an engagement. But if I could only be there, and walk about and look, and listen, I should be satisfied and not make a noise. My life is fading to its close, and someday I shall know.
As a writer, you're making a pact with the reader; you're saying, 'Look, I know and you know that if this book was really a murder investigation, it would be a thousand pages long and would be very dull, and you would be very unhappy with the ending.'
A lot of times I would go into a room and audition for whatever sitcom it was and they would expect me to do sort of what my dad was doing and I am not him so they would be disappointed and I would feel nervous and not know exactly how to do it.
I would have a problem directing a scene like most directors do, in that TV style. I would get bored, I don't enjoy editing in the classic way.
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