A Quote by Nicolas Roeg
We're all influenced by everything unless we're locked in an empty room.
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David Roberts, who is a writer at Vox who I like, had a line about the voter - your voters weren`t locked in the room with you, Republican establishment. You were locked in the room with them.
I am empty of everything. I am empty of everything but the thin, frail ghosts in my room.
When you lose everything, and I mean everything, you sit there in this empty room in the dark, and the only person who can get you out is you.
In the Lotus Sutra, it is said everything is emptiness - this world is empty, hell is empty, heaven is empty, God is empty, everything is emptiness. Emptiness is the nature of all things, nothingness, so be attuned to nothingness and you will achieve.
Because I want every breath you take to be empty unless you're close enough to smell me. Every word you speak to be unimportant unless it's to me. Every sound you hear empty unless it's my voice. I want you to remember that whatever pleasure you have from now on, you'll have it from me. ~Rurik Wilder~
I'd think the house was the source of great sadness or pressure. I knew it wasn't. I knew it was just where I lived. But I'd walk up the stairs and the second floor was just desolate. My old bedroom: empty. My old rehearsal room: empty. First floor studio: messy and empty. Middle room: broken gear everywhere.
To be influenced by a magazine and, say, a Swedish theme, unless it resonates with you, it seems kind of odd and influenced.
In a full heart there is room for everything, and in an empty heart there is room for nothing.
It's human nature that we come in our own flavours, and it doesn't make any sense to write a monochromatic or monocultural story unless you're doing something extremely small - a locked room-style story.
Adventure is humdrum and routine unless one assimilates it, unless one relates it to a central core which grows within and gives it contour and significance. Raw experience is empty, just as empty as the forecastle of a whaler as in a chamber of a counting house; for it is not what one does, but in a manifold sense, what one realizes that keeps existence from being vain and trivial.
A locked-room problem lies at the heart of my new novel, 'In The Morning I'll Be Gone,' in which an RUC detective has to find out whether a publican's daughter who fell off a table in a bar that was locked from the inside was in fact murdered.
When a locked-room mystery doesn't work, the solution makes you groan, and the book gets hurled across the room.
I don't believe in the clash of cultures. The culture is one. The culture is a ring off the same chain. Picasso was very much influenced by the African arts, and he influenced a whole other generation of artists. So everything influences everything.
Michael nodded tersely, eyeing a table across the room. It was empty. So empty. So joyfully, blessedly empty. He could picture himself a very happy man at that table. "Not feeling very conversational this evening, are we?" Colin asked, breaking into his (admittedly tame) fantasies.
It's very hard to be a screenwriter. I remember getting a couple of awards. I got a PEN West award a million years ago when I did Running on Empty, and I sat in the room with all these writers. They wrote everything from novels to non-fiction to children's books to journalism - any kind of writing - and I realized that there was no one in the room who would ever read anything I'd written.
The spectacle of the sky overwhelms me. Im overwhelmed when I see, in an immense sky, the crescent of the moon, or the sun. There, in my pictures, tiny forms in huge empty spaces. Empty spaces, empty horizons, empty plains - everything which is bare has always greatly impressed me.
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