A Quote by Nicolas Roeg
I don't look back on any film I've done with fondness or pride.
Related Quotes
It's a matter of pride to me to get the film done fast, to get it done well. I understand the need for compromise. There is no such thing as a perfect shot, a perfect film. The purpose of film is not to make a monument to oneself.
I look back on the early days of Free with Paul Kossoff with the most fondness of any of my bands, because I met him at a time when I was in London and very hungry, and we believed in each other.
Dear God, I've done so many crazy hair colors and outfits and makeup looks where I look back and it's like, What the hell was I doing? You can't be afraid to make mistakes, you have to take risks. We all have those moments we look back on and wish weren't captured on film, but we're not alone in that.
I look back on my career and my time as commissioner with great fondness.
If someone starts talking about pride today I'm going to vomit... The Apache nation had pride and look where they are. The bushmen of Kalahari have pride and look where they are.
It's funny: when you make a film, you always look back, and there are always crucial decisions that get made. You look back, and at the time they don't seem like it, but you look back, and you see they were absolutely fundamental.
Rain Man certainly didn't test really well. If you look at it carefully, you have a disease autism they didn't understand back then, they didn't know in the test audience whether it's okay to laugh or not laugh, because it's a film that's done in a way where, "Well, maybe I'm not supposed to laugh." At the end of the film, Dustin Hoffman gets on the train and doesn't even acknowledge his brother. Not even a glance, nothing. That's why the studio said, "Can't you just have him look at Tom Cruise at the end of the film?"
A man is an island, but the water is deep
And the shore on the other side is ragged and steep
To look for perfection is a lonely old ride
It takes a whole lot of courage and a whole lot of pride
When you look for independence and you get what you want
How come you look back, thinking what have I done?
But time and again, it dawns on me
It's the price we pay for liberty
I should have know, we all need a place to call home
Part of what I'm doing with generations is that I try to express in my work pieces of my growing up years that I can look back on with great fondness - specifically, a sense of family.
New York is my home and I have a particular fondness for it. I think it's a place where you can generate any kind of story wonderfully. But I also would be very happy to make a film in Paris or Rome.
I'm glad I made the decision, although the practice of law - and particularly serving as a federal judge - was a part of my life that I really enjoyed and treasured and look back on it with fondness.
If 'Satyagrah' was supposed to be my last film I would look back and say it was a happy portfolio. But there is a feeling that I wish I could have done something better.
For better or worse, I refuse to live my life with regret. Sometimes, I'll look back on my past mistakes with fondness. But I never wished I wouldn't have made them. That's why I don't like re-takes.
When you look at what Star (casino) has done for Sydney over the last fifteen years.. I don't think it has done a lot. When you look at what Crown (his casino) has done for Melbourne, I think it has done an enormous amount. And there's all sorts of statistics and figures and facts that can back those things up.
I want to be able to look back and say, 'I've done everything I can, and I was successful.' I don't want to look back and say I should have done this or that. I'd like to change things for the younger generation of swimmers coming along.
Nowadays, when you make movies, you don’t need any lights at all. You have to remember, back in the day, the film stocks that they had were very, very insensitive and they would have these humongous lights and lighting was everything, so everyone looked good. Nowadays with digital film where you don’t need any light at all, you could shoot in the [bleep] dark. It makes people not look so good and it makes aging on film much, much harder.
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