A Quote by Nicolas Roeg

Too many films today feel formulaic and familiar. I prefer it when the familiar is made to feel strange. — © Nicolas Roeg
Too many films today feel formulaic and familiar. I prefer it when the familiar is made to feel strange.
The strange thing about hotel rooms is that they look familiar and seem familiar and have many of the accoutrements that seem domestic and familiar, but they are really weird, alien and anonymous places.
Too often we tend to reduce what is strange to what is familiar. I intend to restore the familiar to the strange.
When I start to write a song, I initially fall into patterns and creative habits that are familiar, and because they're familiar, they sound convincing. It's important for me to not pursue those ideas, because I've already done them, but to find ideas that are different and feel strange to write and disconcerting to write.
We are divided of course between liking to feel the past strange and liking to feel it familiar.
I was never conscious of filming except for when I was location scouting. In a way, that is the most important part of the entire process - and the most private. I'm so used to doing that alone. Unlike every other part, it's just me, alone, on location.It's very hard to describe what I'm looking for - something that feels both familiar and strange at the same time. It's not enough for it just to be strange or mysterious, it also has to feel very ordinary, very familiar, and very nondescript.
Photography today appears to be in a state of flight... The familiar is made strange, the unfamiliar grotesque. The amateur forces his Sundays into a series of unnatural poses.
I like to compare the holiday season with the way a child listens to a favorite story. The pleasure is in the familiar way the story begins, the anticipation of familiar turns it takes, the familiar moments of suspense, and the familiar climax and ending.
I am a little suspicious of industry paradigms. I feel like so many movies and TV shows feel so familiar because of over-reliance on these paradigms.
Although I have not done too many films as a child artiste, the advantage is that you are familiar with the world of movies and it is easier to face the camera.
Philosophy, beginning in wonder, as Plato and Aristotle said, is able to fancy everything different from what it is. It sees the familiar as if it were strange, and the strange as if it were familiar. It can take things up and lay them down again. It rouses us from our native dogmatic slumber and breaks up our caked prejudices.
A lot of people aren't familiar with me, but it's not my job to make people familiar with me. There's millions of artists out there. I'm just gonna do what I wanna do, and if people feel the stuff that I'm doing, then great.
My favorite recordings are the ones that feel like there were no middlemen in the creation. That's the biggest problem with most films and records being made today - too many people involved. I think it dilutes the artist's intent and inspiration.
In all my science fiction movies, I try to blend the familiar with the futuristic so as not to be too off-putting to the audience. There is always something familiar they can grab onto.
In all my science fiction movies, I try to blend the familiar with the futuristic so as not to be too off putting to the audience. There is always something familiar they can grab onto.
When The Fall pummeled their way into my nervous system, circa 1983, it was as if a world that was familiar - and which I had thought too familiar, too quotidian to feature in rock - had returned, expressionistically transfigured, permanently altered.
In this work are exhibited, in a very high degree, the two most engaging powers of an author. New things are made familiar, and familiar things are made new.
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