A Quote by Nicolas Winding Refn

There's incredible effect in being either loved or hated, but knowing that, either way, you have penetrated the mind and have altered it; that is a very pleasurable feeling.
I'm an extremist so I'm either hated or loved. I think it's down to when I first got to Formula One not always knowing what I was saying, saying things that mean one thing but people were taking the other way and then people don't forget.
Im an extremist so Im either hated or loved. I think its down to when I first got to Formula One not always knowing what I was saying, saying things that mean one thing but people were taking the other way and then people dont forget.
I don't want to be loved. No interest in being loved whatsoever. Actually, I don't mind being misunderstood either.
I feel like people either love me or hate me, which is good, because that was the point of what I do. The point of M.I.A. is to be - it's either to be loved or hated. At least you evoke that much of a strong opinion about music.
The fans can either hate you or like you, and they either hated me or liked me, but they always remembered me. I'm very proud of that.
I'm closer to being happy. I'm doing things that make me happy. In football I loved to practice and I loved to play, but I hated to be in meetings, hated to talk to the media, hated to have cameras in my face, hated to sign autographs. I hated to do all those things.
The rhythmic pattern of the poem, which forces continuity of attention - incites a pleasurable compulsion to 'follow' - is either a tried metrical suasion-contrivance or a specially invented pattern of physical insistences, equally, if not more, binding in its effect on the reader. From a straight linguistic point of view, there is room for wonder if there is not latent vice in this environment in which pleasurable physically-compelled responses, produced by incidents of poetic utterance, are identified with the Good.
That feeling is the same whether you're on either side of the hundredths. Obviously, it's great to win the world championship, but if you put down that kind of skiing, it's awesome either way.
Look, you're either loved or hated. Which is a good thing, as Bette Davis used to say.
I've always felt there were aspects of me that were monstrous, and you can either hide from it or confront it, embrace it and understand that those are aspects that make you unique and define you and motivate you. You can either overwhelm or overcompensate for them -- but they truly define you as a human being...So that life became a question of either dealing with this monstrousness in one way or another...One finds a way to understand and make friends with that monster and understand that that's the very thing that makes you who you are. That's your emotional and spiritual fingerprint.
In Massillon, you either hated football, or you loved it. On a Friday night in the fall, I don't know what anybody did if they weren't at, quote-unquote, 'The Game.'
There's nothing that helps clear my mind and improve my mood more than sweating in a room with my friends to some amazing new music and feeling stronger and taller every time I walk out. It's truly incredible. I'm addicted. And the results aren't half bad, either.
The fans reacted very positively to me being cast [The Mortal Instruments] which, as a Twilight or Harry Potter franchise, when you read a book and you have someone in your mind or you have a vision and then they're cast in real life, it can go either way. So I was very, very honored and happy that they were excited.
When I tried to grasp at either what I love or what I hate, I destroyed the very ability of being able to really penetrate the essence of either. By trying to understand it, I would just crush it.
As a player, to me the Dodgers were the Yankees of the National League because you either loved them or you hated them.
I played in a death-metal band. People either loved us or hated us. Or they thought we were OK.
This site uses cookies to ensure you get the best experience. More info...
Got it!