A Quote by Nicolas Winding Refn

I also believe on a practical level, if you're taking time away from people, besides entertaining them, I think it's important that there's something to react to. — © Nicolas Winding Refn
I also believe on a practical level, if you're taking time away from people, besides entertaining them, I think it's important that there's something to react to.
I certainly believe that creativity must be an experience. If I'm to steal time away from people, we should give them something to react to.
I'd like to think I am taking people on a journey; I am not just entertaining people, but giving them something to think about when they leave.
I like entertaining people. I like being on stage. I like being in the life. This is what I do. This is the only thing I know how to do besides rob people and fight. Even when I was robbing people, I was entertaining them. But that's just what I love doing.
I don't like to be entertaining. I don't like the feeling of being entertaining. If there was a musical or a comedy that was not just for entertainment but was rooted in something I could relate to on a real level, then I think I would do it.
Besides what has been said, people are fickle by nature; and it is a simple to convince them of something but difficult to hold them in that conviction; and, therefore, affairs should be managed in such a way that when they no longer believe, they can be made to believe by force.
Individuality is vitally important. When people start to lose their individuality is when I believe they start to lose themselves. I think children are born with this message, and it shouldn't be taken away from them. I hope they walk away with it after seeing the film, and adults too. And I notice it also with myself, because the older I get, the more I embrace my own idiosyncrasies.
I think it's important to be accurate on the level of the word, but it's also important to be accurate at the level of the sentence, at the level of the paragraph. Sometimes you lose sight of that - I remind myself to go back and read.
In any case, do you really think kids even want something that is relevant to their daily lives? You think something practical like compound interest is going to get them excited? People enjoy fantasy, and that is just what mathematics can provide - a relief from daily life, an anodyne to the practical workaday world.
'Saturday Night Live' is a whole different arena. It's great fun and I love it and that's what we do in the Practical theater. I believe in it wholeheartedly and will do it the rest of my life. But there's also legitimate theater, be it comedy, drama, classics or modern plays which I think is important and something I want to be involved in too.
I think that as a playwright, if I detail that environment, then I'm taking away something from them [designers]. I'm taking away their creativity and their ability to have input themselves, not just to follow what the playwright has written. So I do a minimum set description and let the designers create within that.
At what age did I start to think that where I was going was more important than where I already was? When was it that I began to believe that the most important thing about what I was doing was getting it over with? Knowing how to live is not something we have to teach children. Knowing how to live is something we have to be careful not to take away from them.
I think any time people are recognised for standing up for what they believe in and the way that they do it is a step forward, because if we don't stand up for what we believe in and we let people get away with not educating them for things that they have said they're going to think that behaviour is acceptable.
Besides the practical knowledge which defeat offers, there are important personality profits to be taken. Defeat strips away false values and makes you realize what you really want. It stops you from chasing butterflies and puts you to work digging gold.
Narco fiction novels have a reputation, at least here in Mexico among some of the writers I know, of being somewhat rushed productions, usually written in one way or another like crime thrillers, with something cheesily exploitative about them. It feels exploitive - taking this horrible and ongoing tragedy and trying to turn it into something entertaining. Or trying to turn it into something that might earn the writer a reputation of the sort that many writers believe they aspire to. Or earn them money.
I think it's so important as an artist to stand up for what you believe in, and I think that if equal rights is something that you really believe in, and you have a voice that people listen to, and you need to share that - I think that's really important.
It's important, at least for me, that while we're entertaining, there's also something substantive to talk about.
This site uses cookies to ensure you get the best experience. More info...
Got it!