A Quote by Nicolas Winding Refn

I just close my eyes and I fantasize what I would like to see. — © Nicolas Winding Refn
I just close my eyes and I fantasize what I would like to see.
I just close my eyes and act like I'm a 3-year-old. I try to get as close to a childlike level as possible because we were all artists back then. So you just close your eyes and think back to when you were as young as you can remember and had the least barriers to your creativity.
My eyes adored ya Though I never laid a hand on you My eyes adored ya Like a million miles away from me you couldn't see how I adored ya So close, so close and yet so far
I close my eyes and I can see a better day. I close my eyes and pray
Sometimes I would like to cry. I close my eyes. Why weren't we designed so that we can close our ears as well? (Perhaps because we would never open them.) Is there some way that I could accelerate my evolution and develop earlids?
Often I'll do research just to get a time period correct, but I didn't have to for the '70s... I feel like I can close my eyes and still see it so clearly.
I love to fantasize still, as I did as a little boy. If I see a movie, I want to fantasize about what it's all about.
I wish Kurt Cobain didn't die. I really don't know where he'd be right now, I don't know what he'd be like. I just like to fantasize that he would like our band and he would know what we were up to.
When men see an attractive woman, they fantasize about sex. When women see an attractive man they fantasize about a relationship.
Let's pretend for just one moment that could actually happen. You close your eyes and I'll close mine and let's dream the same dream across the Atlantic, lighting up the darkness between us. Can you see it, Stu? Can you see us up there, shining in all the black?
Prosperity Gospel”. At his United Church Science of Living Institute in New York he would tell his congregation “close your eyes and see green. Money up to your armpits, a roomful of money and there you are, just tossing around in it like a swimming pool.
On camera, the audience can see your eyes close up - they can see behind your eyes - and when you're on stage, you need to make sure that the person sitting in the back row can feel what's happening behind your eyes, even if they can't see them. Having a live audience is exhilarating and exciting all on its own, but you know, it is quite different.
In movies, you just see somebody close their eyes, and you go on to the next scene.
I have this weird thing where if I close my eyes, I feel like no one can see me.
When you're in a room with a guy who has a vision like that, it's just one of those things where you close your eyes and just see that vision - then you just go with it. The guys that I write with are so incredible, just like my producer Trent Willmon, those guys know how to bring things out of me - especially things that I maybe didn't even know that I had.
It is just a very freaky experience when you go to the movie theater and you see it for the first time. In close-up you see those eyes. There are little touches here and there that I recognize as myself. The process is fun.
If I close my eyes, I see things better than with my eyes open.
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