A Quote by Nicolas Winding Refn

My initial idea was I wanted to make it a horror film, very much. At times I do enter that world. — © Nicolas Winding Refn
My initial idea was I wanted to make it a horror film, very much. At times I do enter that world.
With The Exorcist we said what we wanted to say. Neither one of us view it as a horror film. We view it as a film about the mysteries of faith. It's easier for people to call it a horror film. Or a great horror film. Or the greatest horror film ever made. Whenever I see that, I feel a great distance from it.
[Liv Corfixen] very much part of my life in that she's everything in my life and we found a way to use each other much more on a creative level as well. She was kind of the idea for this movie so I wanted to acknowledge that. She gave me the original idea to make the film.
I just wanted to make sure that yes, that those horror - they worked as a genre. To me, I just wanted to be touched by the film in the way that I saw plausible. Which is the story about compassion - giving and receiving it in those desperate times of need.
I think the idea was to make a horror film that became a science-fiction film with a lot of melodramatic tropes.
I did so many comedies that we've had numerous discussions about horror of film and I've always been really hesitant to do so because the last thing I wanted to make was a horror movie.
The reason why I always wanted to make an American film was because of the Western genre. It is something that I would very much like to make in the future, because it's very uniquely American, and I can't make a Western film in Korean.
'Hereditary' is unabashedly a horror film, whereas 'It Comes at Night' was a lot of things: it was a thriller; it was a postapocalyptic drama. It was a slow-building, very dark movie about relationships. 'Hereditary' is also about relationships, and I hope it functions as a vivid family drama, but it is also very much a horror film.
If one horror film hits, everyone says, 'Let's go make a horror film.' It's the genre that never dies.
I wanted to make a horror film about beauty.
The very first idea I ever had about making a film... my first thought about ever being a filmmaker was when I was sixteen years old and I wanted to make a Viking movie. And I wanted to make it in old Norse, which I was studying at the time. It's odd because at that age that's a stupidly ridiculous idea 'cause how will I ever be a filmmaker.
I think of horror films as art, as films of confrontation. Films that make you confront aspects of your own life that are difficult to face. Just because you're making a horror film doesn't mean you can't make an artful film.
I like 'Brawl in Cell Block 99.' I think Vince Vaughn is incredible and I've never seen Don Johnson like that. It is very realistic. Some people say it is a horror film. It is not a horror film at all. It is very realistic.
People make films about all kinds of relationships, but they won't do these extremely intense platonic love affairs that happen between young girls. In a way they are more intense than anything else you ever have, and that's what I wanted to make a film about, though it was in the context of a horror film.
I make unpopular versions of popular things. I make a horror film and it's not a horror film. None of my genre movies function as genre movies.
I wanted to be a car mechanic and I wanted to race cars and the idea of trying to make something out of my life wasn't really a priority. But the accident allowed me to apply myself at school. I got great grades. Eventually I got very excited about anthropology and about social sciences and psychology, and I was able to push my photography even further and eventually discovered film and film schools.
I'm very much interested in music specifically and wanted to make a film about it, but not in an atmosphere of censorship.
This site uses cookies to ensure you get the best experience. More info...
Got it!