A Quote by Nicolas Winding Refn
I can't make a film that I don't feel comfortable with.
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How do you make people do the best work? You make them feel comfortable, so you can feel comfortable - and then you can have a really good ballgame!
Usually, what happens with women that aren't comfortable with fighting is they're afraid of getting hurt, or hurting someone. All it usually takes to get them going is to make them feel safe, and make them feel like they look cool while doing it. And once they get a little more comfortable, they're gung ho!
I can understand that an audience, buying a ticket to see a picture of mine, wants to see something funny because they feel confident that at least I have a fighting chance to make a funny film when I make a film, whereas if I make a dramatic film there's one chance in a thousand that it's really going to come out great, so I understand how they feel about that and they're completely right.
The purpose of economic theory is to make those who are comfortable FEEL comfortable.
I can work with shyness, but for the most part I want people to feel comfortable with me. It's really more about the photographer feeing comfortable right when they walk in that makes the subject feel comfortable.
I've always wanted to make people feel better or feel alright or feel comfortable or not threatened and feel OK in their own skin.
This is not the kind of country where you would feel comfortable if you were opposed to democracy, parliamentary law, independent courts and so I would say to people who don't feel comfortable with those values there might be other countries where they'd feel more comfortable with their own values or beliefs.
If you're going to make a film about rage in 2018, 2017... If you're going to make a film about revenge and anger, I feel like that has to be a film about women. I don't really want to watch a film about angry men. I've seen way too many of those.
I share with a lot of people who have seen The Green film at gay film festivals when you are the only gay guy on the block, you feel this responsibility to be this ambassador. You spend a lot of time making sure that other people feel comfortable with you. The perception that we project on that community, that gets in the way of a clear line of communication.
I think the most important thing is to feel comfortable. And if you don't feel comfortable with what you're wearing it really shows. Just make sure you find your own style rather than going with what everyone else is wearing. If you feel comfortable, it's going to get you noticed in the right way. That's better than worrying about what everyone else is wearing and feeling awkward. That's the most important thing.
I like to act in films, I like to shoot 'em, I like to direct 'em, I like to be around 'em. I like the feel of it and it's something I respect. It doesn't make any difference whether it's a crappy film or a good film. Anyone who can make a film, I already love. But I feel sorry if they don't put any thought in it because then they missed the boat.
I've been working in television for so long, since 2004, and I just worked nonstop throughout that time and I've learned so much. I've definitely done that 10,000 hours. I know the format really well and I feel comfortable in it. I'm excited about going into something I'm not so comfortable in, which is film.
You have to kind of shift the way you look at life when you're in a group of people that you work with. It's not so much, do they make you feel good when you're around them all the time; it's how can you make everyone feel comfortable together.
I do think that we all draw limits and I feel like part of the work of an artist is it shouldn't be fun. This shouldn't be comfortable. I'm not looking to make people feel unsafe, but I am looking to make people feel uncomfortable.
On a studio film, you don't have to worry about running out of film or messing up your costumes; you have five other sets of it. Studio films make you the most comfortable so you can just act.
I find that male directors are more interested in what the film looks like as opposed to what the film is about emotionally. My job is not to make the film look pretty, and I don't feel drawn to making myself look pretty within the film.
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