A Quote by Nicolas Winding Refn
[Liv Corfixen] very much part of my life in that she's everything in my life and we found a way to use each other much more on a creative level as well. She was kind of the idea for this movie so I wanted to acknowledge that. She gave me the original idea to make the film.
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He began to trace a pattern on the table with the nail of his thumb. "She kept saying she wanted to keep things exactly the way they were, and that she wished she could stop everything from changing. She got really nervous, like, talking about the future. She once told me that she could see herself now, and she could also see the kind of life she wanted to have - kids, husband, suburbs, you know - but she couldn't figure out how to get from point A to point B.
I love my wife. We FaceTime and we talk on the phone and she travels to come see me when she can. But she works as well. But we see each other a lot more than people would think, though, because we make it happen and we love each other so much.
Jen came first, and then they wanted to cast somebody that would... Kevin liked the idea of having a kind of The Ghost of That Character kind of haunt the movie in a way throughout, by having Raquel look so much like her. And also, it was sort of serendipity. I mean, she was also the best actress. I mean, as you can see Raquel has a pretty appealing, engaging kind of precocious, sparkly quality that's... it was just luck really that she happened to the film.
My wife comes with me on all the movies, but she is not an appendage to a film star or anything like that. She is a completely intertwined partner. She is the other half of me. Also, we're still very much in love with each other. We always have been, we always will be.
Nature is not personal. She is the compound of all these processes which move through the universe to effect the results we know as Life and of all the ordinances which govern that universe and that make Life continuous. She is no more the Hebrew's Jehovah than she is the Physicist's Force; she is as much Providence as she is Electricity; she is not the Great Pattern any more than she is the Blind Chance.
Marilyn Monro wasn't the brightest person in the world - that didn't make a difference one way or the other - but she was giving and kind. And that's what got her in trouble. She was so giving and kind to all of these people she met that she found herself doing these things that she didn't want to do.
She was his soulmate, as much a part of him as the very flesh and bone that made him. She was with him, in him, in everything he did. She was everything he wanted from his life, the very measure of his dreams.
[Adrienne Shelly] explain exactly what she was looking for. This was her movie [Waitress].She also wrote the songs that I sing in it. She wrote everything. She chose the colour of our outfits; she designed the set of the diner. She was very, very involved at every level.
Kathryn Bigelow is a really good example of somebody that has maintained her truth and she makes the films she wants to make and she hasn't let other people affect her too much. Her last film is to me so inspiring and the way she sees war, the way she set up those really intimate relationships in and amongst this carnage.
One day, she’d find a way to live her life to the fullest. She was sure of it. She just had no idea how she would manage it.
The story of my grandmother is that of a French woman from the provinces who through her perseverance and thirst for knowledge worked her way up to become the head of a school. She belonged to a generation that didn't travel much. But she believed in Europe and she wanted Europe. And she read a lot - she knew mythology, literature and the classics very well. She passed that on to me, along with the conviction that you can earn your own position in society.
She looked back as well as she could; but it was all confusion. She had taken up the idea, she supposed and made everything bend to it.
My grandmother I admired even more [than mother]. She was an Irish lady and a very kind-hearted person. She had a lot of talent, she painted extremely well. She was quite a strong factor in my life.
The beauty of Billie Holiday is that she gave every singer after her the license to interpret and perform music in ways that were unique to each of us. Her uniqueness was very much a part of the way she sang the songs, the story she wanted to tell through the songs. I didn't really have a full understanding of Billie until I left home -- until I'd lived a little, shall we say. At different seasons of my life, when I'd sing her songs or listen to her albums, I'd hear things I didn't hear before. Wherever you are in life, you'll hear different things in her songs.
When we were arguing on my twenty-fourth birthday, she left the kitchen, came back with a pistol, and fired it at me five times from right across the table. But she missed. It wasn't my life she was after. It was more. She wanted to eat my heart and be lost in the desert with what she'd done, she wanted to fall on her knees and give birth from it, she wanted to hurt me as only a child can be hurt by its mother.
I connected very much with all the work of Joan Crawford because she started as a flapper. She used to dance and sing and she was very cute. She had something that was so different from what she is at the end of her life and she started in the silent movies and then went into the talkies.
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