A Quote by Nicolas Winding Refn
I like the early comic book characters more than the new ones.
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Comic book characters are characters who wear costumes. They're not necessarily different than other characters. The trend I think that you're seeing are comic book movies, at least the ones that Marvel makes, don't have comic book stories. They have dramatic human stories.
To me, my favorite comic book movies were the ones that were never based on comic books, like Unforgiven. That's more the kind of thing that get us inspired. Usually when you say something's a comic book movie, it means you turn on the purple and green lights. Suddenly that means it's more like a comic book, and It's not really like that.
We have a whole other division, where we actually literally take the comic book and animate it. Our feeling was that, if this was going to be our show and that it was going to be a brand new show, it has to be more adventures with these characters, in the same way that, through the years, there have been long runs on the comic book series. It's the same characters, with different voices, along the way.
I think every filmmaker makes different choices. I remember in the early days, in some of the early comic book movies, certain white dissolves were used that would try to emulate the look and feel of comic book panel borders. Sometimes they would frame shots in panels or circles that gave it a real comic book feel.
Comic book fans have loved Wolverine, and all the 'X-Men' characters, for more than the action. I think that's what set it apart from many of the other comic books. In the case of Wolverine, when he appeared, he was a revolution really. He was the first anti-hero.
I feel when a writer treats a character as 'precious,' the writer runs the risk of turning them into a comic book character. There's nothing wrong with comic book characters in comic books, but I don't write comic books.
When I was a kid, I used to be way more nerdy about comic books and comic book characters. I still love them, but I don't collect anymore.
The beauty of the world of Unbreakable is that you're playing it for reality. It should never feel like a comic book movie. It feels like a straight-up drama. It's real. You're confronting the possibility that comic book characters were based on people that were real.
Driving in Chicago wins over New York; people are so fast. It's almost like there's a subliminal street racing culture here. They drive like comic book characters.
People come, people go – they’ll drift in and out of your life, almost like characters in a favorite book. When you finally close the cover, the characters have told their story and you start up again with another book, complete with new characters and adventures. Then you find yourself focusing on the new ones, not the ones from the past.
I think nobody knows more about comic book characters than Seth Green. I thought I knew a lot, and he leaves me in the dust.
I love comic books, comic book characters and superheroes.
There's a lot of cool stuff going on in independent film. But obviously, yeah - all the comic-book-franchise stuff is deeply boring. But these comic-book characters are the pagan pantheon of gods in today's contemporary culture. It's so important to so many people.
Comic book heroes are an important part of our culture, so I think we're actually utilizing comic book heroes in a much more in-depth way than before. They have such potential, and I think we're maximizing the potential.
I'm more of a comic-book movie fan than a comic book fan.
I'm a big comic book geek and I've been reading comic books since pretty much since I was five or six in 1971 or something like that. So, I mean, I read it all and there's certainly a lot of different iterations of Superman that I personally have enjoyed more than others.
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