A Quote by Nicolas Winding Refn

I'm glamour. I'm vulgarity. I'm scandal. I'm gossip. I'm the future. I'm the counter culture. I'm commercial reality. I'm artistic singularity. — © Nicolas Winding Refn
I'm glamour. I'm vulgarity. I'm scandal. I'm gossip. I'm the future. I'm the counter culture. I'm commercial reality. I'm artistic singularity.
My dear Arthur, I never talk scandal. I only talk gossip. What is the difference between scandal and gossip? Oh! Gossip is charming! History is merely gossip. But scandal is gossip made tedious by morality.
I think gossip and scandal is something from Western culture that has pervaded the rest of the world.
My main interest is the problem of the singularity. If we can't understand what happened at the singularity we came out of, then we don't seem to have any understanding of the laws of particle physics. I'd be very happy just to understand the last singularity and leave the other ones to future generations.
To be counter to the culture, you are by definition willfully and actively ignoring the culture, i.e., reality.
Fashion constantly begins and ends in the two things it abhors most, singularity and vulgarity.
Conservative is the new counter culture, and I consider myself to be a member of the counter culture.
Gossip isn't scandal and it's not merely malicious. It's chatter about the human race by lovers of the same. Gossip is the tool of the poet, the shop-talk of the scientist, and the consolation of the housewife, wit, tycoon and intellectual. It begins in the nursery and ends when speech is past.
So much of my life and my style and sensibility are influenced by skateboarding. It's counter-culture and skateboarding is my introduction to counter-culture.
...culture is useless unless it is constantly challenged by counter culture. People create culture; culture creates people. It is a two-way street. When people hide behind a culture, you know that's a dead culture.
I think we have the wrong notion of commercial and intellectual or artistic film. Because all films are commercial.
Scandal is gossip made tedious by morality.
In the commercial theater, I've been pretty fortunate. The producers that I've worked with have allowed me to define the artistic integrity, the artistic limits of the work.
Evolving Culture, Reality, as we perceive it, is largely shaped by the artifacts, both material and symbolic, of thought, thought that leads to creative manifestation in form and color. With that in mind, it might be suggested that the visual artist, - from commercial designer to fine art painter - has much to do with most things that enter your everyday visuals, and thus form a major portion of one's reality and, certainly, how this culture manifests and evolves.
I'd like to refocus everyone's attention away from the Kardashians and onto Doctors Without Borders or aid workers. Let's redefine scandal. Scandal is not who so-and-so is dating; scandal is the fact that 1.2 million people are still living in tents in Haiti, and cholera is rampant because Nepalese U.N. soldiers dumped s- from their Porta-Potties into the river. That's a f-ing scandal. If the average 15-year-old was hearing about that instead of so-and-so's plastic surgery or cheating in Hollywood, I'd feel better about our future.
Glamour has been an integral part of showbiz from a longtime and the whole debate about exposing and vulgarity is blown out of proportions.
When I speak of artistic universals, I am not denying the enormous role played by culture. Obviously culture plays a tremendous role, otherwise you wouldn't have different artistic styles - but it doesn't follow that art is completely idiosyncratic and arbitrary, either, or that there are no universal laws.
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