A Quote by Nicolas Winding Refn

A good director is not an expert in anything in particular. A good director just knows a little bit about everything. — © Nicolas Winding Refn
A good director is not an expert in anything in particular. A good director just knows a little bit about everything.
In order to be a good director, you also need to be a good entrepreneur because the director is in charge of everything and everyone on the sets.
With a director it's all about the work; I'd work with a great director over - you know, I'm not the kind of actor who that doesn't go, 'I want to play this role.' It's more like, 'I want to work with this director,' regardless of what the role is because if it's a good director, you'll probably find a good role because it's a decent film. But a mediocre director will always make a mediocre movie.
I think the director is becoming more important. To work under rushed conditions, you need to have an extremely professional director. If the director's good than the end result will be good.
I enjoy the acting, but I didn't plan on that. It fell into my lap, and I'm having a lot of fun with it, but I'm definitely moving towards directing because I'm naturally a writer, and I think a good director edits, writes, and has acted a little bit. He's done a little bit of everything, and that's what I'm trying to do.
There is a director for a reason, because a director knows what's best for the movie. You just give your director as much as you can to work with, and hopefully, the decisions they make are going to be great.
I usually work with the director and it's just a collaboration between me and the one person. I think you make good movies that way. If the director and the composer can have this common goal and this excitement about making something great, then you're going to do something good.
It is true that I got recognition. But however good the comedies are, nobody will accept a good comedy director as a good director. That is the sad part of it. Nobody knows who directed the 'Laurel and Hardy' movies. They know only Laurel and Hardy. Directors will never get a good name if they direct a comedy film.
But actually my dad is a very talented director and not just his use of shots and camera, but he's very good with actors and he knows acting well. It's great to see him do that and be really good at it and he's been doing it for a while and he certainly knows how to make movies, and little movies I guess for a television show, and he's going to come back in November to direct a second episode, which I'm really excited about.
You can give the greatest performance possible, but if you don't have a director who's pointing the camera in the right direction and an editor who's editing it properly, it doesn't matter what you do. The director and the editor are the most important people. Not the actors. Sometimes the writer is important. But if you don't have a good director, you can't have a good production.
I think what makes a good actor's director is the same thing that makes a good director. Acting is just one of the trades necessary to make a movie.
With a good script a good director can produce a masterpiece; with the same script a mediocre director can make a passable film. But with a bad script even a good director can’t possibly make a good film. For truly cinematic expression, the camera and the microphone must be able to cross both fire and water. That is what makes a real movie. The script must be something that has the power to do this.
As a director, I have to do everything. As an actor, I'm just worried about one role, that's it. As a director, everything is important. Everything is something you have to be very detailed and specific about in telling a story. So for me, the job is far greater than just being the actor, there's a lot more responsibility creatively, technically.
A good project but a poor director will always make a mediocre film, but an average script and good director can make a good film, as he will put in everything to make the film look good.
I hope that in another way we can move the need to say, instead of being a Black director, or a woman director, or a French director that I'm just a director.
I try to be as good a director as I possibly can. I try to be prepared, and I hope everyone else is. The preparation, I suppose, means just about everything. Little things mean a lot.
Andy was not a director and not a writer. He operated the camera a little bit, and he wasn't even so good at that.
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