A Quote by Nicolas Winding Refn
I was very affected as a foreigner coming from Copenhagen, which is the safest, most liberal town in the entire galaxy. I was like an alien stranded in a strange land for the first time in the U.S.
Related Quotes
In a way, being a Mormon prepares you to deal with science fiction, because we live simultaneously in two very different cultures. The result is that we all know what it's like to be strangers in a strange land. It's not just a coincidence that there are so many effective Mormon science fiction writers. We don't regard being an alien as an alien experience. But it also means that we're not surprised when people don't understand what we're saying or what we think.
I was never conscious of filming except for when I was location scouting. In a way, that is the most important part of the entire process - and the most private. I'm so used to doing that alone. Unlike every other part, it's just me, alone, on location.It's very hard to describe what I'm looking for - something that feels both familiar and strange at the same time. It's not enough for it just to be strange or mysterious, it also has to feel very ordinary, very familiar, and very nondescript.
I'm coming from a small town in Quebec where, at that time, there was no Internet, and the way to be in contact with movies were those American fan magazines like 'Fantastic Films' and 'Starlog,' and I still remember the shock, the impact of seeing the first frames, the first pictures coming out of 'Blade Runner.'
I was a big fan of a writer named Jack Vance, a science fiction writer. He always wrote about these guys who were either going down a river in a strange world or would be in this one land where people acted really strange, and he'd have these interactions with them that were strange - he'd usually get run out of town or something. Then he'd end up in the next town over where the rules were totally different. And I love this stuff.
To me, skin is alien and kind of weird; it weirds me out. It's strange, but it's also really intimate and personal; it's living, organic. That's how I want the music to sound; I want it to feel alien and strange, but also like it's got a heartbeat, like it's got a soul, like it's not made by a robot.
We did one pilot for FOX which was about this couple that moves to a town, and we play everyone in the entire town. So it was like a Peter Sellers film.
I am coming back to that which has most affected me. I'm coming back to Law & Order: Special Victims Unit.
I have a very unsatisfactory and incomplete knowledge of Brooklyn and cannot discuss specifically either what you can do here or what possibilities the city shows in an artistic way. I am not a foreigner but coming here as I do after a long stay abroad, I think things here strike me much as they strike a foreigner.
For a colonized people the most essential value, because the most concrete, is first and foremost the land: the land which will bring them bread and, above all, dignity.
The one I spend the most amount of time in is a Ford Galaxy, which my tour manager drives me around in and which I drive at the weekends. What I love about the Galaxy is the amount of space I get. I can get so much done in the back of it while we're on the road, it's like my mobile office! I've also got a Ford B-Max, which I'm a total evangelist about. It's got rear doors that slide. Now, I can't park, so those are the best things ever. You can park right up against a tree and still get out!
I was in Kansas for about a month, and we worked most of the time in a very small town, so it felt like the production basically took the whole town over. In a way, we were the Martians in Kansas.
There were wonderful moments when I was singing for the first time in the Olympia Theatre and I was pregnant with my son, which was very, very strange for a singer.
Step back in time; look closely at the child in the very arms of his mother; see the external world reflected for the first time in the yet unclear mirror of his understanding; study the first examples which strike his eyes; listen to the first words which arouse within him the slumbering power of thought; watch the first struggles which he has to undergo; only then will you comprehend the source of his prejudices, the habits, and the passions which are to rule his life. The entire man, so to speak, comes fully formed in the wrappings of his cradle.
Being like stranded without a label in the middle of tour was very strange. On the other hand it made us move instantly. I mean, I didn't wallow. I was like, "Alright, who can we email? Let's just start putting stuff out." I felt like we were playing really well and it was at least worth a shot.
I didn't like the Feds coming to town when I was in Miami, telling me what to do. I didn't like them coming to town and thinking that they knew more about Miami than I do.
Emmies, for example, most of that's bullshit. Oscars are even worse. We have a strange, terrible affliction in this town. Everybody walks around bent-backed from slapping each other on the backs so much. It looks like arthritis but it isn't. It's hunger for recognition. And it's sort of like, well, I'll scratch you this time if you'll scratch me next time. That kind of thing.
Related Authors
Alejandro Gonzalez Inarritu Quotes
Mexican
Director
Ava DuVernay Quotes
American
Director
David Lynch Quotes
American
Director
Gaspar Noe Quotes
Argentinian
Director
George Lucas Quotes
American
Director
Guillermo del Toro Quotes
Mexican
Director
John Waters Quotes
American
Director
Judd Apatow Quotes
American
Director
Martin Scorsese Quotes
American
Director
Oliver Stone Quotes
American
Director
Peter Jackson Quotes
New Zealander
Director
Quentin Tarantino Quotes
American
Director
Ridley Scott Quotes
British
Director
Steven Spielberg Quotes
American
Director
Werner Herzog Quotes
German
Director
Woody Allen Quotes
American
Director