A Quote by Nicolas Winding Refn

To me, the darkest film ever made and the film, to me, that's the darkest picture in the human humanity's soul is 'Pretty Woman.' — © Nicolas Winding Refn
To me, the darkest film ever made and the film, to me, that's the darkest picture in the human humanity's soul is 'Pretty Woman.'
'Darkest Before Dawn,' the short film, is basically the film of a man who faces the darkness when his back is against the wall and just about how miracles come in all forms, and even in your darkest times, it comes.
For me, when I choose a script, I put my heart and soul into it, and that is exactly what I look for in a film. A good film is a good film. And if it's a bad film, irrespective of whether it's made 300 crores or 200 crores or any amount of money, it doesn't matter to me.
Mr. Cooper said to me that he had an idea for a film in mind. The only thing he'd tell me was that I was going to have the tallest, darkest leading man in Hollywood. Naturally, I thought of Clark Gable.
I rely on some words that actually my husband said to me. He jokes about saying, "You know it's only darkest before it's totally black!" Even in my darkest hour - and my darkest hour was probably when I lost both my parents - I look to him and I see what he has endured, what he has overcome, what he is doing with his life, and just how he's lived his life.
It seems to me very important to begin by an indication of the darkest values (assuming that the canvas is white), and to continue in order to the lightest value. From the darkest to the lightest I would establish twenty shades...
I did New York, I Love You which is a very personal film for me. My most personal film, but it's not like a film I've ever made. I would never do that film as a feature, for instance, because it's not very commercial of an idea.
The prolonged slavery of woman is the darkest page in human history.
Hope is the deep orientation of the human soul that can be held at the darkest times.
I'm staying with film, and with silver prints, and no Photoshop. That's the way I learned photography: You make your picture in the camera. Now, so much is made in the computer... I'm not anti-digital; I just think, for me, film works better.
I don't think you will ever fully understand how you've touched my life and made me who I am. I don't think you could ever know just how truly special you are that even on the darkest nights you are my brightest star
Ever since I made the short film 'Black And White,' which had almost no dialogues, the idea of making a silent feature film fascinated me.
I waited for each film to become important for me. If I had no ideas for a film, I didn't do a film. So I made not that many films for fifty-four years of working.
But it wasn't just a technical approach towards the piano, studying the music for this film was also a way of approaching the soul of the film, because the film is really about the soul of Schubert and the soul of Bach.
They stared out their window at night enough to know where the darkest shadows lay, and it was to the darkest shadows they kept.
"Fish Tank" [my favorite woman-directed film] by Andrea Arnold. The film is so beautifully shot, and I love the raw energy of Katie Jarvis, who plays the main character, Mia. She is not a professional actress and she provides the film with a sense of realism. To me, the film feels so complete and superior.
I find that male directors are more interested in what the film looks like as opposed to what the film is about emotionally. My job is not to make the film look pretty, and I don't feel drawn to making myself look pretty within the film.
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