A Quote by Nicolas Winding Refn

If an actor or actress is recognizable, that changes our perception of them. Sometimes you can play against type, or you can just repeat what they've already done. It can be an obstacle; it's a very fine line.
Sometimes you can play against type, or you can just repeat what they've already done. It can be an obstacle; it's a very fine line.
If an actor or actress is recognizable, that changes our perception of them.
I actually cut my sentences a lot. I'm very aware of the actor, giving them too many words - just a mouthful of words - it's difficult sometimes for an actor. So I'm kind of aware of breaking sometimes the line, the sentence with a comma where maybe there wouldn't be a comma there. Just to give a breathing space for the actor, just to be aware of that.
I could hear it sometimes, but I couldn't play it. I'd been getting bored with the stereotyped changes that were being used. I found that by using the higher intervals of a chord as a melody line and backing them with related changes, I could play the thing I'd been hearing.
Our children may, at times, make parenting very difficult. Sometimes, we might be tempted to say, "Fine, I'm done with you!" But God is never done with them and we're still called to be their parents.
Old Newtonian physics claimed that things have an objective reality separate from our perception of them. Quantum physics, and particularly Heisenberg's Uncertainty Principle, reveal that, as our perception of an object changes, the object itself literally changes.
Freud believed that our dreams sometimes recapitulate a speech, a comment we've heard or something that we've read. I always had compositions in my dreams. They would be a joke, a piece of a novel, a witticism or a piece of dialogue from a play, and I would dream them. I would actually express them line by line in the dream. Sometimes after waking up I would remember a snatch or two and write them down. There's something in me that just wants to create dialogue.
There's a very fine line between a groove and a rut a fine line between eccentrics and people who are just plain nuts.
There's a very fine line between a groove and a rut; a fine line between eccentrics and people who are just plain nuts.
Sometimes it depends on the actor or the actress. Sometimes they demand a lot of rehearsals. Sometimes they don't. Making movies is not like making a play, so I guess you can leave some of the work for improvisation when they do the work.
For me, the goal is to make the most of each player, play them in the position they feel best in. And then repeat, repeat, repeat.
Giving yourself over to the fine line of a human-like droid means that sometimes you make choices that don't make you feel good, as an actor, and you have to learn to embrace that. No actor will tell you that that's a good place to be.
Every situation has qualities. Essentially, we quantify them and that's the practical side of our lives, so the involvement with perception and in acquiring the perception is our ability to understand qualities. They exist only as long as a human being keeps them in play. They're - Therefore they are akin to energy.
I didn't want to do a costume drama. It's a great thing to do, but I've done them, and I didn't want to do the same thing again. Of course, costume dramas can be from all different eras, but at the time, I just felt very sure that I didn't want to be boxed in as an English actress. I wanted to be an actress, rather than an English actress.
I mean, sometimes... a comedian becomes an actor, and they just don't deliver, because the bottom line of comedy is to be funny, and the bottom line of acting is to be truthful, and they get that mixed up sometimes, or don't even notice that that's the thing.
Our seas do have fish in them. We have to change our eating habits, the type of fish we tend to go for. Pollack is fine, that type of thing.
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